South Shi Shan Village Antique Pottery Production And Study On The Relationship Between The Village Social

In some local art and village social relations research has always been a folklore and folk art an important area of study. As more and more traditional techniques are classified as non-material cultural heritage protection list, skill and regional study on the relationship between the village is becoming more and more received attention. Antique pottery making craft is mengjin south ShiShan Village extremely local characteristics and cultural heritage, especially the tang fire craft in 2007 as a state-level non-material cultural heritage, so the community were particularly interested in.The author described the south ShiShan Village is a traditional and typical of the central plains farming villages, it is an imitation pottery community, due to the national economy rapidly and the scale development of antique pottery production, triggered the village social transformation. Outside the village of cultivated land occupied by factories and mines enterprises, inside the village built antique pottery factory, most of the villagers abandoned the original traditional farming and into factories. Village originally economic work mode was changed, the villagers’ life style and concept also will be change. Antique art work pattern as enhancing village social relations within the chain, plays a significant role. In this case, antique art of south ShiShan Village also experienced extraordinary rise and fall of transmutation. In traditional village community, it is in the form of seasonal sideline and collaborative helper into their daily life, as art work mode known and Shared by the whole village. Fang Lili had pointed out in her "tradition and change" : "science and technology to constantly overthrow Chen and novelty and rapid development, during the culture does not lose his based on history and tradition, it is always repeated" roots ", try to find back to the origin of the existence of life and the meaning of life." Therefore, the author on the one hand, examine reality zhongnan ShiShan Village imitation pottery production conditions and craft process, on the other hand trying to dig and reproduce the old artists memories, traces the source of antique art and its changing process. Try to come to understand in the form of history and reality set off south ShiShan Village archaize complexity in the process of the skill practice, inheritance.This article around the south ShiShan Village artists and interactive relationship of antique art, by investigating the south ShiShan Village antique pottery production practice, on the one hand found archaize skill set on interpersonal relationship in the village, on the other hand, antique art as a kind of "crossover" skill, communication with the community’s connection with the outside world. At the same time, south ShiShan Village antique art as a cultural heritage, with the idea of village social, cultural and economic factors influence each other, it itself is a kind of value. "Export" means a part of "culture", "output", that is associated with the market of consumer groups at the same time to indirect participation in the creation of the"antique" culture. These information to make the author of tao, and all three have a clear cognition and understanding.