Study On The Theater Censorship Of Nanjing National Government Period (1927-1937)

In Shanghai, there has been reviewing theater, but in1927, before the realstationed in Shanghai, Nanjing National Government, theater review due by the civilsociety organizations, so the lack of institutional constraints and specifications.Withfurther stabilize the regime and the establishment of the national government, alongwith the golden period of development of the Shanghai Theatre,1927-1937thisdecade, the Nanjing National Government theater censorship from developinggradually adjust gradually toward reunification.In this paper, combing througharchives, historical and prevailing newspapers, magazines and other publishedmaterials drama is based, content-Shanghai theater censorship and the specificoperation of the core, trying to objectively and realistically restore the appearance ofthe system will also the system and the historical, political and cultural backgroundscombine to make some of their own thinking.This paper is divided into three chapters. The first chapter is on the Shanghaitheater censorship Nanjing National Government to produce a backgroundinvestigation. First, starting from the historical background, outlines the differentways in the history of theater reviewing existing in different stages of development,from the "cut scene" in the history of drama to today’s review, we can see thedevelopment of theater and drama has always been closely linked to the review of.Inthe political context, the two policies by the Nanjing National Government in Nanjingliterary texts introduce policies to further reveal the Shanghai Theatre artistic censorship and even entire political system is inseparable from the total of a program,is to focus on the creation of "San Min doctrine "art, with any breach of the inevitablewill be banned and review.In the cultural context, the new era of reform movementtheater play a huge force in the promotion and encouragement throughout the ages,and thus attracting political forces attention on the development and utilization ofdrama.The second chapter focuses on the Shanghai theater censorship rules of thespecific content and the different stages of the operation, and based on the content andoperation of the Shanghai theater censorship conducted a brief analysis.By comparingthe detailed content and phased gradually clarify the operation of the main content,and specific ways Shanghai theater censorship, operating conditions andeffects.Especially in the introduction and operation of the content, by dividing theearly, middle and late stages of the three specific changes to reflect each of the threestages of reviewing the content and operation, which show relatively distinctiveShanghai Theatre censorship is a step by step through how to develop adjustments tothe final and perfect unity.Finally, a brief analysis, the performance of three prominentShanghai Theatre censorship.The third chapter is to introduce the Shanghai theater censorship other relatedissues, describes the authority reverted to Shanghai theater review, the impact ofcensorship on the Shanghai Theatre was a left-wing theater. Finally entirety theatercensorship in Shanghai to make some overall evaluated.