Study On The Problems And Countermeasures Of The Intonation Of Erhu Performance

Erhu is an excellent stringed instrument which contain the traditional Chinese culture, and the intonation problems of the erhu plays a leading role. The erhu music creation made a considerable development after China carried out reform and opening up policy,which promoted the development of erhu art. As to erhu players, the real training value of intonation practice has played a crucial role in mastering skills of playing the erhu and expanding performance level.The paper will discuss intonation problems of the erhu from three aspects by reading the compilation of relevant documents and combining the knowledge that the writer knows.The first part of the paper will mainly discuss the significance of intonation in playing the erhu from both the importance and necessity.The second part will discuss intonation problems from the objective and subjective factors. The objective factors include erhu individual,temperament system and musical composition with its own style. As to subjective factors, the paper will discuss intonation problems of erhu and analyze the reasons from some aspects, such as concept,auditory sense, tension, hand shape and the exchange. The third part will discuss countermeasures of intonation problems in erhu playingthrough the scientific practice methods and countermeasures. And three important scientific method in scientific practice methods are discussed: the slow practice, common methods in testing intonation and correlation method; then four aspects in practice countermeasure are also discussed : the practice of hearing, the practice of chord arpeggio, the practice of hand shape, the practice of broken chords and gamut. The study is expected to provide help for erhu players in intonation practice.