The Study Of Female Images In The Movies Of Ryazanov

Ryazanov as the "Father of the tragicomedy" Russia, taken either in the works or artistic value has a very high standard and with a strong Russian culture in a real sense. This article through the female characters in the movie Ryazanov longitudinal diachronic analysis and common longitudinal analysis, summed up Ryazanov works with the characteristics of the image of women and the role of the text.This paper is divided into four chapters, the motive mentioned in the introduction of this article focuses on writing, that the Nationalization and female consciousness in the film gradually be analyzed in the context of an important role. Unique national culture of the Russian people; Ryazanov image of women played a key role in shaping national culture as an intrinsic fate of each individual regardless of which cultural forms embody the role of the kernel.Later in the second chapter will be "female consciousness" and "female movie" clarify the concept, has reiterated that the movie is not a movie for Women female consciousness, to grasp the female consciousness and the limits of women film Ryazanov film Women image analysis has important significance. Ryazanov works carried out on the basis of an overall analysis of generalization, whose works will be divided into three stages, namely the three stages of "comedy creation", "tragicomedy creation" and "drama of creation." And, after summary stepwise against three stages of transition course Female Images summarized analysis. Summarizes the characteristics of each period, respectively, female image "comedy creation" phase one-sided widespread problem for women shaping the role of the traditional relations between the sexes is still not out of the set, that the male characters dominate, and the role of women as auxiliary symbols appear; and "creation tragicomedy" stage, the role of women occupy the dominant position gradually, even with respect to the male characters reflect the male characters can rely on a strong spirit of independence and inner core, but also to explore the relations between the sexes is gradually entering the forming stage; and the third period was for a special post-Soviet period, Ryazanov works of this period with a heavy social thought and reflection, for individual countries and the flashback is also reflected in his work the works of this period in the lively nature of the role of women who have been different from the second phase of the image of women work, they saddled with a heavy burden, this burden is not only from the community, but also from family and to fulfill their responsibilities.The third section will be different from the analysis phase of the second division of the longitudinal section of this chapter we seek to deepen the image of women in different periods of individual common analysis and research, refine research by two dimensions, namely the dimensions and aesthetics gender relations in-depth resolution. Ryazanov drawn female characters in the film city sights women get the right to speak flourishing conclusion, and in which a variety of relationships and modes to sort and discussion. In this chapter, the use of the theoretical foundation has Featherstone's "aesthetics of daily life" and Freud's male "castration anxiety" theory, and included female perspective and "microscopic narrative study" Combining movie narrative analysis of the female perspective. Thus Ryazanov movie what is the role of women or guardians of rebel dialectical analysis of this reasoning, then in the process has also been a corresponding, based on a variety of social theory answers.The final chapter by Ryazanov movie Rethinking the role of women concluded that the starting point for exploring-"Nationalization" and "female consciousness" to answer. The starting point of this chapter is to study and analyze the role of women Ryazanov work can be summed up, for the nationalization of integration and awareness of the unique properties of ethnic aesthetic awareness and recognition of the fundamental individual creation and development of national cinema basis. Secondly, in the dramatic creation, for hypothetical and realistic grasp of the extent of the role of women is also conducive to the creation of the audience recognition of the extent of comedy.In research methods will also be recognized by the theory of sensory culture and ideology critique of Ryazanov video analysis, which attempts to shape the experience of the role of women and summary of some significance, in order to China's role in the comedy film play a modest role in shaping.