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In Contemporary Theory Of Etchings Spiritual Degeneration

Posted on:2017-01-03Degree:MasterType:Thesis
Country:ChinaCandidate:W WangFull Text:PDF
GTID:2335330485460261Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
As a kind of ancient painting in our country has more than one thousand years of history,and copper engraving into China is relatively late.But in today's rapid development of economy and culture,but copper engraving with its unique charm by artists like,and occupy half of the country is in the version painting,with its unique imprint,lines,texture,color and other language charm deeply attracted by the masses.In the field of art,each art form,art school,the premise of the existence of the art style is their own artistic quality is different,the ultimate goal of each art is to make it possible to make its unique style perfect,permanent.The engravings with art painter family the other version of the same,is always a restricted too much art,often in the early stage of writing shows its style characteristics,forcing its performance is strongly and directly in printmaking limited conditions,making it more development of a new continuous time it should be perfect,flexibility when it comes to etchings.The essence of the concept of print is limited,but it also has a very limited meaning.Flexibility of creations is produced in the premise of the limitations of the printmaking.One of the major characteristics of the print is the indirect nature,so far,the family has not any one of the prints can be reflected through direct.The version of the artist produced no prints not by first drawings,then transfer to the layout of production,and it is in making this link will be a lot of chance,this is because the version of the limitations caused by it,the picture does not reflect the good artists to express inner publication in the real world.So it is because of the limitations of this,it makes the version of the artists should have more awareness to make changes,in fact,the layout of the characteristics of the layout.Although we have made some achievements in this aspect of contemporary painting art through innovative thinking,but in recent years the print exhibition,especially the etchings,lacking a flexibility.There are still a lot of problems and problems in the development of the spirit of the print creation.In recent years the Printmaking Exhibition,etchings in printmaking or printmaking language blindly copying and imitation of success at home and abroad,or is not out of the original copper engraving tool function,or there is no coordination between printmaking and audience,led to the creation of Drypoint lack of flexibility,it can be said that the lack of flexibility in the contemporary printmaking artists,so the development of etchings fell into predicament.Therefore,analysis of the causes of the contemporary printmaking flexibility development dilemma,trying to find countermeasures to solve the dilemma,for the creation of contemporary painting art has certain reference significance,from the perspective of this research has practical significance.
Keywords/Search Tags:chalcography, mode of thinking, techniques, contingency, flexibility
PDF Full Text Request
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