The Study Of Music And Dance In East Han Dynasty Portrait Brick Of Shu

The study on the music and dance of east Han dynasty in the Shu, This paper use the concept of history that is quoting the poem, music, dance, named is "Trinity", and restitute it to the complete social environment by a panoramic perspective. So we can understand that what status of dance in society, and understand the dance how to be performed. This paper not only remains on the intuitionistic description or imitate description, and more hope is that can provide a way of read and understand in a structured narrative, about the study on the images of music and dance of East Han Dynasty in the Shu.The first chapter around "music and dance of east Han dynasty in the Shu " as a center, to construct a triangular perspective about person, ideas and media, as the dancer identity, cultural context and images for macroscopic observation. The second chapter elaborated in depth analysis of the image of music and dance. On the one hand, extracted the characters of music and dance from the complete images, in accordance to the type of Long Sleeve Dance, Taogu Dance, Pangu Dance, Guchuiyue, launched a quantitative comparison analysis about the shapes, trajectory, props and costumes, musician, perform scenes. On the other hand, the complete images classification, and make a summary of the characteristics of the feast of Shu. The third chapter is following the second chapter, analyses local music and dance, and chose the case of Long Sleeve Dance and Pangu Dance for cross regional horizontal comparison. Full paper followed the characteristic of Chinese ancient music and dance which is comprehensive and overall as the proofreading point, establish more objective and more broad perspective than idea of "dance on center", to explore the east Han dynasty music and dance in the Shu. Expect to try my best, contribute to the study of dance history.