| In last century, the rise of the 1990s theater director Meng Jinghui traditional rebel attitude and very personal characteristics of the experimental theater to break the survival of the plight of Chinese drama, his pioneering drama courage to break the traditional stereotype and constraints, and explore new forms the possibility of developing more drama, he plays an active exploration and practice of drama to the then flagging market has injected fresh vitality, it is considered the Chinese contemporary theater banner. He early on Western theater of the absurd to imitate and learn to be original dramatic work, and gradually formed a collage, parody, humor, satire, romantic lyric features of the "Meng drama" style, coupled with the exploration process on stage hypothetical practices skillful use of the stage and the manifestation of a breakthrough stage spectacle effect of pursuit, "Meng theater" has become a gold standard, with a strong brand.Viewing from the development of pioneering drama Meng Jinghui, the theater has a clear evolution path to explore the early works such as "Waiting for Godot" and "I Love XXX" radical experiment hold provocative and offensive attitude to the audience. But when graduated from Japan, his concept has a shift, then he directed "cuss Street" and "Accidental Death of an Anarchist", change to the "People’s route."After subsequent" Rhinoceros in Love" created a box office miracle of small theater drama, won the commercial success in the 21st century Meng Jinghui is taken to embrace business and the public attitude. Because of his excessive business combined with the vanguard, led to his criticism that his work has lost the quality of avant-garde art that should have anti-tradition and anti-business, is a "pseudo-vanguard."Although in recent years the explore of the "Two dogs" and "Letter from an Unknown Woman" and other works in some ways remained Meng Jinghui positive spirit of exploration, but there are also a lot of work in danger of self-replication, but also there are far more than the case of adaptations of original works, how to avoid self-repetition, in the theater field more effective digging and exploration pioneer of contemporary drama and comedy to explore need to actively Meng Jinghui thought. |