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The Visual Space And Cultural Memory

Posted on:2017-10-17Degree:MasterType:Thesis
Country:ChinaCandidate:L G N SuFull Text:PDF
GTID:2335330485985762Subject:Chinese ethnic minority art
Abstract/Summary:PDF Full Text Request
The research topic of this paper is the visual space and cultural memory: A Study on Mausoleum of Genghis Khan. For "Tianjiao" research is a multidisciplinary interested in classic topics, history, anthropology, sociology, folklore to intervene from multi angle. National art as an independent discipline, but also it is necessary to study the development of the Mausoleum of Genghis Khan.Papers through the ethnological perspective to explore the relevance between the continuation of existing visual space and long Mausoleum of Genghis Khan cultural memory. "Time and space is the form of material existence" from the change of time and space and the reconstruction of the start of architectural environment and space layout, the contents of the paintings, sacrificial ceremony, ritual items such as visual image of the combination and producers, patronage and the characteristics of the times, social environment, etiquette function, the audience reflect human behavior and thinking of the organic connection on the mausoleum of Genghis Khan. Mongolia nationality culture and national survival of the natural environment, history, religion, aesthetic taste, psychological quality and customs and other factors have a close relationship. For example brte suddenly Lanha in Tuen Mun sacrifice can reflect the social status of Mongolian women and the sacrifice of the bow and arrow and horse reflected the importance of the culture of the horse on the Mongolian, color preferences reflect character of the Mongolian, the sacrificial offering words reflect Mongolian daily life and spiritual state. The object of analysis is not limited to isolated objects and images, the visual space and intangible cultural memory complement each other. The mausoleum is history and belief of Mongolia nationality, national emotion and cohesion, the aesthetic taste of the nation, the epitome of different cultural intersection. The art and aesthetics of Mongolia family has strong concept of national culture, but also the world of the concept of a strong. The two concepts in the ongoing dialogue, constantly balance under conflict with each other in different periods.
Keywords/Search Tags:Mausoleum of Genghis Khan, visual space, cultural memory
PDF Full Text Request
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