Research On Folk Language Phenomenon Of Classical Opera

Classical drama is the treasure of Chinese traditional culture, the living state of the performance mode to retain and present the greatest degree of the ancient people’s way of life and spiritual needs.One of the opera as ancient people’s favorite entertainment, spread widely in the folk and aristocratic palace, has a deep foundation of the masses.The performance of the content and the language of rap is rooted in civil society, inseparable with folk culture and people’s lives. As a classical opera flourished during the Yuan Dynasty have been more complete opera performance shape and pattern.To the Ming and Qing Dynasties, the classical drama to mature and prosperous,the rich story, vivid and dramatic roles, complete performance system to present all aspects of the ancient people’s lives,recording the ancient society of all kinds of folk things like, provides a wealth of research information.Among them, the folk language is a kind of special language form, it is the common use and the most basic language in the daily life of the people.In the folk language, a large number of people’s daily life customs and cultural needs.By combing the history of opera script of Chinese classical opera in folk language data for classification and sorting, thereby understand the existence and use of classical opera in folk language and of the ancient people of social life, original, and cultural customs.There are many types of folk language in classical Chinese opera, this article mainly aims at the folk language to carry on the classification and the analysis in the traditional opera.In the first chapter of the article, the author analyzes why there is a large number of folk language in the classical drama from the three components of the opera’s creators, the audience and the performers.Through the analysis of classical Chinese drama to collect folk language, summarizes the opera in folk language generally have a ceremony, national, popular, banter and the characteristics of the times.After that, this paper on the classical opera in folk language classification, auspicious, sarcastic, joke, slang, and jargon as the main research object.Combined with the specific drama script and literature material, expansion contains a large number of folk customs and function of these folk language specific analysis and discussion.Which auspicious words reflect the people of different occasions, and the Chinese style of the people’s happy ending.Play jokes and satire show the spiritual entertainment needs of the ancient people and the irony of the social reality and the feudal rule in the laughter.It is a summary of people’s life experience is the reflection of ancient society incisive, jargon reflects the living conditions of ancient society in different sectors.Through the discussion of these different types of folk language in the drama and the meaning of existence, interpretation of these folk language plays in ancient people’s daily life function.This article will use the cross study of folklore and Linguistics with consolidation of classical drama script, combined with historical documents, local records, dialect records, literary classics, and other various historical literature, in-depth analysis of the classical opera in folk language problems.Through a comprehensive analysis of the dramatist’s motivation and the audience’s spirit and aesthetic demand and the performer’s social status, the interaction between the interpretation of folk language, classical opera, folk culture, public demand.In the promotion of these factors, the common form of the classical opera in the unique folk language.