"Intangible" Documentary Narrative Art

United Nations Educational, scientific and Cultural Organization(UNESCO) in May 2001 will Kunqu was listed as one of the "human oral and non-material cultural heritage" list, from this moment start the rapid rise of "non-material cultural heritage" of the concept of culture, is China's official institutions are widely used, has also been a profound identity in academic circles. "Intangible cultural heritage", referred to as "intangible cultural heritage", regardless of the specific performance, skills, or abstract folklore and culture can be called "intangible cultural heritage". "Intangible cultural heritage" is the human in the long historical time and space and nature constantly adapt to the product and the creation of, it reflects is keeping pace with the times and human wisdom and infinite national creativity, is the precious wealth of mankind. In recent years, speeds up unceasingly along with the process of industrialization and the rapid development of urban civilization, inevitably to human culture especially great impact and destruction caused by non material culture, together with is not unique to the intangible cultural heritage "in technology in the" special, make the surface facing a serious crisis of extinction. Under the country's efforts to promote, the area gradually strengthen the non material cultural heritage protection and attention, "intangible cultural heritage" documentary also was born, and for the majority of the audience the popularity of the knowledge related to the intangible cultural heritage. TV media as "intangible cultural heritage" to join and become more abundant, and "intangible cultural heritage" also through this platform was also familiar to the audience. "Non left" documentary "let both heritage" and "TV" be made one, mutual promotion.The thesis is divided into four parts. The first part is overview of "intangible cultural heritage" documentary, mainly carries on the analysis to the "intangible cultural heritage" documentary concept, types, evolution of narrative style and in the protection of intangible cultural heritage of dominance. Macroscopically grasp the present situation and the demand situation of "intangible cultural heritage" documentary, which points out the use of documentary record of intangible cultural heritage, the protection, inheritance, inheritance and development has an irreplaceable role. The second part of "intangible cultural heritage" documentary narrative characteristics analysis, while maintaining the basis of the characteristics of the original documentary, from the documentary, reproduction, diversification of audio-visual language and the history and reality with the four aspects are discussed in detail, grasp the "intangible cultural heritage" documentary unique and creative. The third and four two part of the thesis is to make a detailed analysis of the "a line of folk heritage" in combination with the self made short film. Expressed in the third part mainly on the "intangible cultural heritage" documentary narrative method, we mainly elaborate from two aspects of spatial narrative and narrative text, which will story narrative methods as a separate section to focus on the discussion, reflect modern "intangible cultural heritage" documentary under the premise of the documentary, story narrative methods, increase the visibility and communication of documentary. The fourth part of home-made clips using a long shot, close-up, montage and empty lens, etc. the main lens from the documentary film narrative point of view how to combine with the narrative analysis.Intangible cultural heritage has its special character, produced great influence in the people and culture in the process of "non left" documentary records the world each people for generations, and the lives of the people in close contact with the various forms of culture, its contents show is the treasure of folk art, exquisite performance of traditional techniques, ethnic characteristics of folk festivals, folk ancient local music, superb traditional craftsmanship and stunt heritage, through the form of documentary exhibited, more vivid and specific performance of "intangible cultural heritage" unique cultural charm. Image as a way of recording, and other forms of art have a great difference, it sets the color, movement, scenes, clips, angle, and so on a variety of ways to tell the story of the audience, to show the reality. Before the hall once said, in the reality of the incident into events that can spread must first become a story, and forward the development of "intangible cultural heritage" documentary narrative is well illustrates this.