Study Of Contemporary Freehand Brushwork Figure Painting Ink Performance In Guangxi

With the progress of era, the artist's ideas are changing, tries to find the new changes in the way of art, both in composition and color in the find new breakthrough, and the exploration and practice the art of ink are never stopped. Delayed disease for the weight of the brush, ink transfer into how much water can make ink has infinite change, so the ink as the most basic of Chinese painting art language, when to be reckoned with in the position in Chinese painting, especially in freehand brushwork figure painting can play its artistic value, the spirit of Chinese painting ink.In Guangxi fine arts in the process of development, the painter is more of a focus on local culture, the freehand brushwork figure painting is mainly of Guangxi local people and the environment as the object of creation, the Guangxi local people's life, culture and emotion by artist will its performance incisively and vividly, and profound works of thematic and thoughtful. This article mainly to the contemporary Guangxi freehand brushwork figure painting ink performance as the analysis object, through the ink forms of Guangxi local painter, summarized out in modern Guangxi presented during the performance of freehand brushwork figure painting ink pen and ink language characteristics mainly have three. The first is a warm of linguistic features, main representative painters have Zheng Junli, He Weiren, Kang Qiang, Zheng Zhenming, Wei Wenxiang, etc; Second is thick ink language characteristics, main representative painters have Liang Yao, Pan Zhenghua, Tao Yimei, pan Limin, etc, Pen and ink language features of flexibility and the third is the main representative painters have Xiao Shunzhi, Li Xiaoqiang, etc This article the methods of illustration analysis of linguistic features of the above three kinds of ink painter, summed up the contemporary Guangxi freehand brushwork figure painting ink characteristics forming reason and expression formThis paper mainly studied from four aspects.The first chapter, mainly about the present situation of the development of contemporary brushwork figure painting of Guangxi for an overview. After weaving ideological trend influence, Guangxi art the creation of the whole environment is relaxed freely, painter in succession on the basis of traditional pen and ink to, once again to keep pace with The Times, innovation concept, make the ink performance more diversity.The second chapter, the diversity of contemporary brushwork figure painting ink performance in Guangxi. Of Guangxi local painter ink made a brief summary of the uniqueness and diversity. Pen and ink will range around the economic development, natural environment, regional culture, such as impact, in general ink performance will be different.The third chapter, is the core part of this article, also is the contemporary brushwork figure painting ink form in Guangxi. In combination with illustrations to explore the causes of the formation of freehand brushwork figure painting ink characteristics in Guangxi and how to present different painters with different ink picture.The fourth chapter, Guangxi freehand brushwork figure painting ink performance impact on individual creation.Through the above analysis on the study of contemporary brushwork figure painting ink performance in Guangxi, that causes in the creation thinking and practice and to use.Epilogue, through the analysis of contemporary brushwork figure painters in Guangxi ink performance, combing and summary, make the author of contemporary brushwork figure painting ink performance in Guangxi have a deeper understanding, at the same time to inspire their creative practice, has certain practical significance, so we on the basis of inheriting the traditional pen and ink to innovation, dares to practice, the search for meaning belongs to contemporary ink.