Ink Painting Design-The Song Dynasty Courtyard Flowers-and-birds Painting Study And Design

The flower-and-bird painting of academic style in Song Dynasty is the quintessence of Chinese classical realistic painting. The flower-and-bird painting is the most representative type of painting in Song Dynasty. It pays attention to artistic standard and puts emphasis both on shape and spirit with its gorgeous style, Rhyme is rigorous, exquisite brushwork, decorative function and thorough landscaping skill.The traditional form of painting provides inexhaustible creation material for modern visual design. The further study on it will contribute to a deeper understanding of its realistic nature and promote the innovative development of visual design. And its further study inherits and develops essence and aesthetic ideas of Chinese classical painting.Since the ancient times, graphics is easier to remember and recognize than text. As a carrier of graphics and other information, visual design plays a vital role in civilization inheritance.Modern and contemporary visual design, some of them use the traditional elements without modification, The author thinks that to design the appreciation value of the work, must grasp and understand the unique flavor of traditional elements. So the author through the study and analysis of the stylistic features of the meticulous flowers-and-birds painting of academic style in Song Dynasty and the aesthetic principles of the visual design, attempts to experience its traditional charm in the painting practice. Understand the song dynasty courtyard flower and-bird painting, In studying it is connected with the contemporary visual design. From the perspective of combining theory and practice, the song dynasty courtyard flower and-bird painting style and visual design combined with the application, which is very significant in promoting and developing modern and contemporary visual design.Through study and practice, combining the painting feelings with graphic design knowledge, with the practical experience to understand traditional Chinese elements of visual language, finally the study design their own work, so as to ignite a spark between traditional painting elements and the modern vision design.