"Comprehensive Play Song" Origin Of Art Theory

"Drama opera integration" of art,is a relatively "new" performance form of Chinese national vocal music field.However,its origin can be traced back to the base areas and the Jiefang District National Opera in the period of the Anti Japanese War and the war of liberation.The opera singing "according to the words" singing,"pronunciation" aesthetic paradigm with the national vocal music,is rooted in the Chinese vocal characteristics.Therefore,the national opera creation like traditional opera roots approach has become the most convenient option.Thus,the birth of our national vocal music is an important performance form--"drama opera integration".Therefore,in the beginning of the "drama opera integration" art to explore roots type,and use it as anopportunity to review the "drama opera integration" art in the overall development process before and after the founding until the reform and opening up.On this basis,this paper selects "play" song "Mulan" as the object of study to the concrete analysis of "play the song" and "drama" the difference and connection between the.Based on case analysis,the author from the "drama and the pronunciation of Chinese characters","drama structure and national aesthetic psychology isomorphism" and other aspects,to explore the "drama opera integration"theoretical origin of art.Then,this paper makes a theoretical thinking of "drama opera integration" art from the inheritance and innovation point of view,focuses on the"drama opera integration" of national vocal music art for the reform and development of China and possible development direction and other issues.Finally,this paper makes a brief analysis on the relationship between the market under the background of "play the song" and "opera",pointed out that "long-term development play songs",and bring forth the new through the old reform depends on drama.