| There have been a few of assembled-films in Taiwan since 1980s which cannot be ignored in Taiwan film history. Therefore, this thesis starts from how Taiwan assembled-films to be produced including factors in commerce, humanities, arts and sociality. Then it explores the aesthetic features of Taiwan assembled-films and sums up three aspects according to the arts of collage which is widely used in Modernism and post-Modernism Arts especially in painting. At the same time, the thesis analyzes different aesthetic tastes because of various collaging. Eventually it explains the value and shortcoming of Taiwan assembled-films and thinks about how to make use of its strength to enlighten movie producing in China Mainland at present. |