| Clothing is essential for human life, but also the carrier of culture. Chinese cultural treasure dress, broad and profound, has a long history of flaming. Can be traced back to the prehistoric culture, down to the Ming and Qing dynasties. The majority of working people by virtue of their life and production experience, to create a colorful dress, to beyond count. Certain period of social development, with the clothing style, material and color reflects the social life at that time, the level of economic development, social system, customs, most incisive showing the people's thoughts and aesthetic point of view.Colorful powder costumes and write a chapter in the thick and heavy in colours Chinese clothing treasure. Chinese opera costume as part of a costume history should not be overlooked, has a very important and special position. It is based on the blend of the Ming Dynasty costumes, from Tang Dynasty to Qing Dynasty each time the fashion, to a series of special costumes exaggeration beautification again created.In the Chinese traditional opera roles wear helmet, boots and shoes, dress up items are collectively referred to as "". Han Opera is evolved by the Ming Dynasty costumes, characters are of the Qing Dynasty, the essence of refined, reach the peak of perfection of the art processing, exaggerated beautification form. The beauty of the dance drama, is not only related with the action of the actor's beautiful, more cannot do without Hongfei Tsui dance costumes. Han costumes can be broadly divided into: Embroidered robe, rely on, fold(Xue), frame, clothes. Imperial concubines wearing embroidered robes, pleats, Pei; the prime minister wearing embroidered robes, a civilian cloak, Guan Yi; Marshal generals wear on, open cloak, the arrow clothing, frame; the middle class in creases, Pei; people wear pleats and clothes, pants, jacket and other tea.The Jingchu culture has a long history, rich, created the opera the peerless elegance, but also gave birth to the colorful Chinese embroidery. Both the traditional Han costumes costumes of the common features and the regional features, Han opera costumes to Han Embroidery decoration. In Ming and Qing Dynasties by budding capitalist commodity economy, unprecedented active, stimulated the rapid development of silk industry and handicraft industry, Hankou Han Embroidery industry as one of the handicraft industry, conform to the development trend of the times, with commodity embroidery in the form of talent showing itself and develop gradually. Han Embroidery on Jingchu culture, to the unique artistic charm of bloom in the Jianghan Plain.If you want a full range of clear Han costumes culture, Chen of condensation in the costumes of the spiritual culture, a systematic research on the Chinese opera from the perspective of the structure is very necessary. This paper taking Han costumes as the research object, through the review of the development and evolution process, selection of structure, fabric and color common in Han costumes and collocation, the planar structure and the production process has done a detailed explanation. Based on the collection of costumes preserved and has a certain historical information acquisition system of science, the performance shape, structure, size and plane cutting process were observed and recorded carefully, and professional analysis and summary, which includes more comprehensive, intuitive analysis of the inherent artistic charm of Han costumes.For the study of Han Opera structure, can improve China clothing history, Chinese dress culture. The structure of the Han Opera Costumes, costumes for condensation in the spiritual culture, combined with the historical accumulation of Han Opera Costumes art under the connotation and elements, and analyzed the cutting and flat structure, provide a new perspective for the modern fashion design, production. |
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