Study On The Application Of The Traditional Pattern Of Zhuang Nationality In The Fabric Display

Zhuang traditional pattern is a treasure of traditional Chinese pattern, strong national pattern has its unique form of artistic expression, is a treasure trove of modern art and design inexhaustible. This paper analyzes Zhuang pattern shape, color, composition, and extract design patterns, pattern creation and for practice, to create national characteristics, has a certain connotation of modern design works. "Shaped" pattern more characteristic of the Zhuang and ancient totem culture-related, such as a bird, frog snake, volume moire, patterns, butterfly patterns, etc., Zhuang women’s clothing is the most bird, a variety of patterns, as well as frogs serpentine use of all natural form evolved into a pattern. This is to refine the product of abstract, totem culture is for people’s living environment, migration and tracing; Zhuang folk art multi-use primary colors, the color is very bright, very strong color contrast, more color with red, yellow, blue green as the basic color, with clever use of complementary color to reflect the sharp contrast, another feature of the Guangxi Zhuang folk art performance in harmonious color symbols, colors of the hue, lightness, purity, very particular, but also the use of warm colors or solid color mainly red, yellow and orange as the main tone, with blue, green and other cool colors for the deployment, blending well-being, a strong visual sense; structure Zhuang pattern patterns some parent geometric patterns, patterned prioritize some pattern parent of plant patterns. This paper mainly extracted pattern Zhuang clothing patterns in butterflies and plant-like pattern, color mainly hit color color way through Lei Guiyuan pattern of squares theory as the basic framework for the creation of the composition of the plant family plant pillow also constitute use of the plane in the other pattern skeleton Zhuang traditional designs to create.Lei Guiyuan paper pattern science as a theoretical basis, "at the resurrection", he had proposed "version, carving, knot" point of view, let us have a better composition of pattern recognition, "put to death then students "" version, carving, knot "theory has three rules for creating the pattern has played an important role, while Lei Gui yuan of Chinese traditional patterns are summarized in a metrical body composition methods with Chinese design style, both m word grid, squares, S-shaped composition, and finally to note is how the "engraved version knot" to "spirit, live, put" metrical artificial, should not rigidly adhere to learn metrical metrical, new content always looking for new forms. Design modeling is an artistic image of a particular aesthetic value, not a natural shape, but regenerated with a new shape of temperament."Re-decoration light decoration" is getting people to accept the fact that it refers to the display of art and design, design patterns can be applied to furnishings, such as fabric furnishings, including curtains, carpets, wall hangings, table runners and the like. Rich interior space, through the use of Zhuang pattern in the fabric, with regional characteristics of contrast interior style play a positive role.