A Study Of Relationship Between "Gesar Drama" And "Gesar Epic" In Gannan

The birth, survival, heritage and development of Gesar Epic and Gesar drama is the collective expression of specific groups of qinghai-tibet plateau and the historical memory. Epic "Gesar" has a long history, with rich in content, even broad and profound. It represents the highest achievement of ancient Tibetan culture,possesses with the very high value in literary and aesthetic. Gesar drama distributes in the four major traditional Tibetan drama drama, its performance of oral narrative tradition retains the rap literature form input of drama performances as epic "Gesar".It keeps the same literature input drama format featured with singing and saying in the national language, rhythm and performance, which is an important part of ancient Tibetan culture.Since the ancient times, the epic rap and Tibetan drama performance art forms was recognized by the Tibetan masses, and preserved as a popular entertainment project, it becomes the important carrier of national culture in spread and development indirectly. The Gesar Tibet drama derives from ? Nanmute? Tibetan drama which prevails in gannan Tibet areas of Ando Tibetan areas comes down in one continuous line with Gesar Epic. It is recreated from the form, function,significance and other various aspects filled with a distinctive national character and aesthetic characteristics. In the process of transmission and development of Gesar dramas, it complete the inheritance in religious beliefs and the highest philosophy in Tibetan social from the ways in inheritance, content in description, the spirit in hero relief ect. The epic Ggesar comes true the transformation in literature from the plane to the stereo. It forms the unique style of tragic and comedy fusion of Tibetan drama aesthetics. It refreshes the gesar spiral and keeps exuberant vitality to the Tibetan traditional hero culture, and it crosses history for permanent. This thesis will give a study of the Inheritance and reconstruction of Gesar Epic on gesar drama.This thesis will first study the Inheritance and reconstruction of Gesar Epic on gesar drama in the causes, the significance, the current research at home and abroad.The body part will describe the formation of Oral narrative traditions in epic, the occurrence of Gesar drama, the Epic drama features. Gesaar Epic on the oral narrative tradition of continuity and ritual witch dance between the myth, epic, rap,plays with the exchange relations, explores gesar, theatrical generated background and with the Tibetan Buddhist philosophy, and discusses the problems of the epic is dramatic. Then, this thesis will make a case study from the following three aspects which include Gannan-Tibet drama and Gesar, the connotation and confliction of epic, and the contracture and rules of drama. Taking Xiang Mo, Adalam,Samatrawor from Gesar drama from Gannan drama as an example to do a comparison to the Gesar Epic in function, constriction, content and performance. It will do a deeper discussion on the common arts tradition of Tibet drama and Epic.Finally, this thesis will discusses the religious aesthetic implication of Gesar drama in folk songs and dances and Qiang dancing, tragicomedy melting pot of aesthetic style and gesar epic and drama "poem" Spaces, etc.This thesis taking Gesar drama and Gesar epic of Tibetan in gannan as an example does an inheritance and reconstruction study to epic and drama. Trying to do a explanation to the occurrence and development, function and narration, content and performance of Gesar drama from the aspect of Gesar rout culture in macro.This thesis will constrict the performance theory of Tibet drama basing on the above form, trying to explain the inner rules of Tibet drama in the formation and development.