The Study Of Gesar Epic Legends

The epic of “Gesar”is the root of the Tibetan people's pride,and is also an outstanding representative of Tibetan folks' narrative literature,carrying the rich historical and cultural information of the Tibetan people.The legend of the “Gesar” in Qinghai Lake is a form of Gesar culture that has been gradually perfunctory in the process of epic inheritance.The Qinghai Lake area was a bridge between the Chinese and foreign cultures in the "Southern Silk Road" when Buddhism was passed down.The area around the lake was formed by diverse ethnic groups and foreign cultures.The Gesar cultural form.The people around the lakes love,worship,and worship Gesar,while singing and tracing the great achievements of epic heroes,depicting the legendary cultural mirrors of the heroic era,and projecting them to correspond to their mountains and rivers and culture.In life,there are many epic styles and legends.The legend of the scenery is centered on various natural landscapes and social objects.It connects many mountains,waters,rocks,rocks,ancient rocks,old slopes,springs,monuments and buildings around the lake,forming a huge epic.Cultural expansion field.This kind of legend that begins with the "material" entity has also become the most distinctive cultural landscape and cultural symbol of the surrounding lake.The full text is divided into two parts: the introduction and the body.The introduction part briefly outlines the prominent position and characteristics of the legend of the surrounding scenery in the background of the national“Gesar”,as well as the innovative significance,research purposes and research methods of the research.The text is divided into four chapters.First of all,combing the distribution of the epic styles of Gesar,mainly expounding the cultural geography of the Tibetan areas in Qinghai,the types of the epics of the Gesar epic,and the distribution of the main scenery of the surrounding lake.Secondly,from the three legends that explain the local legends of celebrities and mountains,the legends of the products that describe the fruits of magical labor,and the customs and legends of popular events,the theme of the legend of the Gesar Lakes is refined.At the same time,the legend of the wind as the epic context and outer structure of the epic,further explore the relevance of the two.Once again,expand the unique Tibetan customs,simple belief qualities,and the vitality of Tibetan survival and development.Finally,in the “Chinese nation's pluralistic integration pattern”,cross the “the difference between the wilderness and the wilderness”,seek common ground while reserving differences in the “beauty and the United States and the Communist Party”,and pay more attention to the Tibetan culture of “harmony and difference”.Diversified,diversified and multi-layered original ecological legends are displayed through various forms such as media art,cultural corridors and cultural seminars.Let the new legends better accumulate,store,innovate and continue through the memory of film,animation,photography and other media,so that the development of legendary culture is more advanced,convenient and fresh.At the same time,we adhere to the inheritance of the wind and the inheritance of the widows and the relics,and seek a place for the legend of the wind under the epic dynamic system.