The Contemporary Chinese Opera Music Culture Association In View Of Editing

From the angle of editing science, this paper studies contemporary Chinese opera music culture association.On the basis of the relationship between the editorial science and the communication, the differences and relations between the music editor and the music communication are discussed.And based on the “edit the view of cultural structure” in Wang Zhenduo's "General Redactology" as the theoretical basis, this paper discusses the specific content of the Chinese opera music editing activity, including the characteristics of Chinese opera music editing work and so on. Through the search of the literature of Chinese opera music culture, it shows that the ancient, modern and contemporary people who as Chinese opera music culture of the editor make great contribution to the inheritance of Chinese opera music culture. Secondly, to the relevant publications of the People's Music Publishing House as the argument,this paper makes the corresponding analysis about the publication status of cultural achievements of the contemporary Chinese opera music. It is proposed to be paid attention to the editing and publishing work of the opera musician biographies and drama appreciation books. For the sale of electronic records, it puts forward to establish a database and uses new technology to make a personalized drama propaganda model. In addition, according to the relationship between cultural creation and cultural communication in the concept of editing cultural structure, this paper discusses that it is need to make the contemporary expression of innovationin in the content and form on the basis of respect Chinese opera music tradition in order to promote the dissemination of Chinese opera music culture. Besides, in view of the negative phenomenon in the cultural dissemination of Chinese opera music, including the lose sight of the youth to the opera music culture, it puts forward the theoretical point and the method to solve the problem.