| In this paper, Badema baeyin support-Chapter fifteen of the "new heeg Jangar" (upper and lower) text as the research data, attempts to make a comprehensive analysis and summary of Bangel's aesthetic aesthetic characteristics of Ancient Mongolian heroic epic "Janggar".This paper consists of three parts:introduction, main body and conclusion. The introduction introduces the background and significance of the topic, the research situation and research methods. The main body is composed of three chapters. The first chapter mainly put "Janggar" epic in the universe is divided into three realms of Heaven (changshengtian, emperor), earth (geographical environment, social organization, and hell) (wc3, dragon eight Au, Yan Wangye), and aesthetic analysis according to this classification. The second chapter mainly analyzes the nomadic culture aesthetic epic described, classified as a spiritual and cultural aesthetic (influence of Shamanism and Buddhism) and material culture (aesthetic culture, nomadic hunting culture, farming culture). The third chapter mainly analyzes Bangel's language art, which is classified as the expression way and Bangel's speech. To conclude, "Janggar" combined with the three element structure of the universe, aesthetic realms nomadic culture aesthetic view and language art is the unique aesthetic features of Mongolian "Janggar". |
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