From Xu And Huang's Difference To Research The Artistic Features Of Early No-bone Flower Bird Paintings

This article is based on the Five Generation,the early Song Dynasty's flower and bird painting independent from the painting large system and the time background of lower and bird paintings techniques is relatively mature to study the artistic features of early no-bone flower bird painting.Through comb the aspects of no-bone painting,such as definition,origin and the other of establish to summarized the significance and impact of no-bone paintings.Emphatically in the Five Generation's the most representative and closely related to the two painting painters Huang Quan and Xu Xi as the research object,through the identity,temperament,living environment,painting subjects,techniques forms and other aspects of comparison,summing up the respective characteristic of Xu and Huang' s paintings.Demonstrates the identity characteristics between the two person at the same time,and further elaborated Huang system why dominant during this time.Xu Chongsi based on Xu Xi and Huang Quan,further development and improvement boneless flower techniques,summarizes the unique artistic style of Xu Chongsi's no-bone flower.Sure Xu Chongsi makes contributions on no-bone flower's inheritance and development based on Xu Xi and Huang Quan.Through to comparative research the three most representative painters and art style of the the Five Generation and the early Song Dynasty,then comb and reveal the different,the same and the successive development of the art essence from the three people.Sum up the early no-bone flower and bird paintings' art characteristics,leading to reflection and Inspiration of painting practitioner on no-bone flower bird painting,developing the painting practitioner's reference and absorption of no-bone flower and bird painting techniques.