Research Of Space In Edgar Wright's Films

Edgar Wright was born in 1970s,a director of UK,growing up in authetic British rural places.Although he had not been able to finish a film degree at the university,he started experimenting with producing short film at a very young age due to his strong love for the film.After the film of A fistful of Fingers produced in his early 20s,which was noticed by Paramount,Wright began his career as a professional director in the bustling metropolis of London,and the country's life in the process of growth continued to call on him back to his hometown.Unique growth experience has reflected on his works,the presence and thinking of the British village life.In his own works,Wright is usually being both the writer and director,its jokingly,lively and attention paid to the style of the internal movement of the lens generally made his works with unique feature,filled with the manifestations of postmodernism and the mixture of various types of film elements,as well as a great deal of intertextuality and reference to classical parody.This paper will focus on the study of Wright film from the visual space genres and by analysing the style,then explore the impact of the director for the creation of film space behind the cultural social space development status and problems.Finally,when the film seen as a medium method,efforts would be made on seeking for the reflections of "Cornetto Trilogy" on the embodiment of three kinds of space production:class,politics and culture space.