Research On Liu Gangji's Practical Aesthetics Of Literature And Art

Liu Gangji is a contemporary Chinese Marxist Practical Aesthetics of Marx,He formed his practical aesthetics system with the logic of practice,creation,freedom,aesthetics and art,He highlighted the role of practice in aesthetic activities and artistic creation,he put the practice through the study of aesthetics and art,and put forward that art originates from practice,and art is the reflection of the practice of human free creation,Liu Gangji's aesthetics has a distinctive academic character of literary aesthetics.This thesis is based on Marx's theory of practice as a research perspective,focusing on Liu Gangji's practical Aesthetics of literature and Art to conduct a System research and discussion,This paper is divided into five parts:The first chapter: The introduction of Liu Gangji's academic career and ideological origin.The first is the introduction of Liu Gangji's academic life experience,To introduce and comment on his academic works,so as to achieve a general understanding of his academic face;Secondly,the paper studies the origin of Liu Gangji's literary practice aesthetic thought,Liu Gangji was influenced by Chinese and Western aesthetic thoughts,which was mainly influenced by Chinese classical poetic aesthetics,German classical aesthetics,Marx's philosophy and aesthetics and modern western aesthetics and psychology.Through the elaboration of the origin of Liu Gangji's aesthetic thought,it lays the foundation for the further study of Liu Gangji's practical Aesthetics of literature and Art.The second chapter is Liu Gangji's view of the book of changes from the practical point of view.This chapter reflects Liu Gangji's analysis of the aesthetics of life practice,The practice of life is the mastery of the law of the changes of yin and Yang in the world;The practice of life has an impact on the construction and development of Chinese ancient art aesthetic theory,and determines the essence of ancient Chinese art and the development of the theory of artistic creation.The ancient Chinese art is the imitation of the natural life;The research method of Liu Gangji life aesthetics are analyzed,Liu Gangji mainly uses the text textual research and thought of combining theory,fully examines the philosophical basis of aesthetic and cultural background of the life practice,life practice aesthetics and western philosophy aesthetics thought is compared.The Third chapter discusses Liu Gangji's theory of ancient Chinese calligraphy and painting from the point of view of practice,First of all,it discusses the calligraphy aesthetics,At the beginning,Liu Gangji studied calligraphy aesthetics from the perspective of the practical aesthetics of the Marx doctrine,He believes that calligraphy comes from the practice of social life,The beauty of form in the art of calligraphy,the dynamic beauty and the feelings expressed in the art of calligraphy are the reflection of real life;Later,Liu Gangji studied calligraphy aesthetics from the perspective of Marx's theory of practice,the practice of Chinese ancient life and the theory of modern western art,He puts forward that calligraphy aesthetics is the reflection of life practice,Chinese calligraphy reflects the change of yin and Yang,it is a form of life and emotion.Secondly,study painting in the "Liufa" Theory,Liu Gangji study on "Liufa" theory embodies his view of practice aesthetics,He stood in the development of the unity of history and logic view of the "Liufa" theory,that the "Liufa" theory is developed with the practice of painting.At the same time,Liu Gangji was influenced by Marx's practical aesthetics and aesthetics of Zhouyi in the study of "Liufa" theory.he proposed "Liufa" is derived from the practice of social life and it convey the beauty of life.The fourth chapter is the study of Liu Gangji's philosophy of art from the perspective of practice,He used the practice to explain the reflection and thought that the generation of the reflection depends on the practice,Art is a manifestation of the intrinsic nature of things,is a highly creative activity of human activity;Research on labor and human free creation,Liu Gangji studies the creative activities of human life from the perspective of material production,and Put forward the practice reflects the object of art;The study of artistic aesthetics and its creation,the creation of human life determines the creation of art,art is a reflection of the creation of human life.The fifth chapter explains the theoretical personality and academic contribution of Liu Gangji's practical Aesthetics of literature and Art,Liu Gangji has his own unique practical Aesthetics of literature and Art,his practical Aesthetics of literature and Art is characterized by "practice" as the basis,"free creation" as the core,Interpreting art from a practical point of view;The contribution of Liu Gangji 's practical Aesthetics of literature and art is that he has always put the practical point of view in the study of art aesthetics,He makes full use of the excellent resources of Chinese and Western Aesthetics and art theory,and closely link with labor,freedom,creative concept,And expounds the uniqueness of artistic aesthetics,He makes the integration of Marx's aesthetics,Chinese traditional aesthetics and modern western aesthetics,and promotesthe development of contemporary Chinese Practical Aesthetics...