Homesickness Complex In Taiwanese Film

Homesickness complex has been an important part of the composition of Chinese culture,is also the Chinese various forms of art performance which is one of the most important motif.Taiwan because of its special geographical position and history experience,homesickness complex is particularly strong among Taiwanese people,and homesickness complex has become Taiwan's films express one of the most important motif.Especially in 1945,Taiwan's recovery after several decades,imagination of "motherland" and strengthening are repeated in Taiwan films.The collective memory of the trauma after the end of Martial Law,the homesickness complex began to change in the Taiwan film,and eventually caused the imagination of "motherland" has been deconstructed.Under the new social and political context,Taiwan subjectivity was emphasized that the homesickness complex in the film in to highlight the ground under the premise of multicultural start restructuring for content.This article attempts to film in Taiwan,the Taiwan combing the homesickness complex in the film,at the same time to analyze its have built up the deep reason of deconstruction.The article is divided into five chapters,respectively: homesickness complex rise in the history of film in Taiwan society;homesickness was established in Taiwan in the film plot and rendering;the reason and the performance of homesickness complex began to change in Taiwan film;the reason and the performance of homesickness complex in Taiwan film gradually deconstruction and restructuring.