The Ink Painting "Dense Beauty" From The Ink Rhyme Of Gong Xian

Black color is a kind of form that seems simple and most tedious.However,it symbolizes the most primitive colors and spiritual essence.Coupled with the "white" participation,"black and white" word is also the best embodiment of the Eastern aesthetic spirit.If you map it to the ink works,there is an infinite vitality.Blending water and ink can produce endless changes.With a strong tolerance and ambiguity,mystery,infinity and misty come out from it.At the turning point of the Middle Tang Dynasty,Buddhism integrated into China truly.The idea of empty and seclusion became the highest interest of the officials.With the maturity of green landscape painting and the innovation needing of it,Wu Daozi,Wang Wei and some other painters desolated colorful colors,they turned to the elegant ink painting.The turbulence of the current situation destroyed the ideals and aspirations to literati and economy the world.They could only be immune to them to avoid the reality of society turned into the embrace of nature.Ink landscape can also become the anchorage of life ideal,which shows its unique value.Since the emergence of ink painting in the Tang Dynasty,ink landscape has become the mainstream of the development of Chinese landscape painting.During the Five Dynasties and the Northern Song Dynasty,the development of ink painting was becoming more and more mature.The landscape painting of the Five Dynasties and the early Song Dynasty was becoming mature.And the landscape painting in the Five Dynasties and the early Song Dynasty and the ink landscape painting in the late Yuan Dynasty were the two peaks with emphasis on "the beauty of the hills" and the "beauty of the mood" respectively.There were many painters with different styles about these paintings.The North faction landscape painting of the Five Dynasties and the early Song Dynasty was vigorous and heavy with ink specifications.For the South faction landscape painting,the hills and valleys were magnificent;,the ink was empty and light and the writing of the gullies was naive.And the Yuan Dynasty intended to South faction and stressed "freehand" and used pen and ink to describe the unworldliness..With pure,agile ink to show the landscape painting,the wonderful rhyme of the conformability of the smoke,clouds,rain and fog of the nature,the painter's temperament,ink would diffuse out of a confused,mysterious,chaos "Beauty".With the development of ink painting landscape form since ancient timesand the aesthetic changes,this beauty had different embodiment and interpretation.This article attempts to use Gong Xian 's ink rhyme as the starting point to analyze the "dense beauty" of Chinese ink landscape painting for many aspects from point to face.First of all,in the traditional Chinese philosophy,Taoist Laozhuang's metaphysical thought and Buddhism's Zen thought are the origin and essence of ink painting.The black and white from the ink painting is the embodiment of the concept of simplicity in metaphysics,which emphasis on yin and yang two gas change each other,the word "dense" is describe the entity "gas " the motion state of the universe,And the concept of "artistic conception" in landscape painting is also the emphasized of "temperament" from the philosophical point of view.In view of this,in order to deeply study the ink landscape painting,it is necessary to explore the "simplicity" of the metaphysics and "temperament" of Zen.And in addition to "mixing beauty" from blending water,ink and paper,more importantly,from the real nature and from the pen and ink from the heart,which contains the spirit of the metaphysics and Zen thought.So the first part of the article: from the two aspects of the origin of ink painting and the load-carrying properties of "dense beauty",elaborate the history of the implementation of "dense beauty" to ink painting.Then,study the land of idyllic beauty created by Gongxian from the near observation,the ink level is clear,pen line is clear.However,from the distance,it is like illusions in general.The works of Gong Xian are wonderful in majestic and are also wonderful in pretty and smooth.The majesty gives a sense of empty dream and is filled with ethereal air.This unique mixing of the air can let people be aware of the shadow of the spirit of North and South ink painting.The spirit of Gong Xian's ink painting and the two factions of North-South have close relationship.Therefore,the second part of the article: compare Gong Xian's ink painting with the South and North landscape works(specific to people and works)for comparative analysis and understand dense ink language of the north and south ink landscape at the same time,people can realize the dense beauty created by Gong Xian's ink rhyme more fully.Third,some of Gong Xian's landscape works use light,shadows and the atmosphere as the theme of the description.The dense atmosphere of the light and color cleverly cater the impact of Chinese and Western cultural shock,which makes the Chinese modern landscape painting change into reality.It opened journey ofpainting of the landscape painting industry focusing on the light and the drawing.The third part of this article: Combining Xu Beihong 's thought of Chinese painting realism,talking about the inheritance and development of Gong Xian and his descendants on the description of mixing of light and color.It is not only possible to understand the relevant traditional cultural thoughts,but also to understand the causes and origins of Gong Xian's unique appearance of the painting through the above train of thought and the impact of this aesthetic features on the following painting field.Experience the process and get the inspiration of learning traditions and thinking about the current issues.