| Li Yu’s drama thought marks the maturity of the ancient drama theory in our country.The university circles summarizes his theoretical contributions mainly including four aspects: drama structure theory,dramatic character theory,drama language theory and drama function theory.Li Yu and his drama theory,academic community generally focus on the comedy,stage and popularity to analyze the script,director,actor of Li Yu’s drama theory and skills,specially from the aspect of the stage performance,the narrative of playtext,the art design of stage performance,and the audience psychological acceptance skills,study is less,and these are the most unique aspect of Li Yu’s drama stage peformance theory.Based on "The Occasional Notes with Leisure Motions" of "Dramatic Theor Department","Exercises and Performance Department","Voice and Appearance Department " as the center,reference "Li Yu’s Ten kinds of tune",the stage performance as drama art center of Li Yu,from screenwriter skill theory,stage performance skill theory,the audience acceptance skill theory,expounds the uniqueness of Li Yu’s stage peformance theory,tries to make comprehensive evaluation and examines Li Yu’ s drama thoughts.The full text is divided into seven parts.This paper analyzes information about Li Yu’s "leisurely sentiment" in recent years,points out the source of the research,reveals the purpose,significance and the theoretical innovation of the paper.In the first chapter,the author analyzes the background of Li Yu’s stage peformance skill theory,and explores the theoretical source and the composition of drama aesthetics of Li Yu’s stage performance,combined with his strong consciousness of constructing stage performance skills.The second chapter,to explore the "the designed for the debut" skill theory of screenwriter.First of all,Li Yu’s theory of drama structure,"formulating control centre," "tighting stitches" and "reducing clues",confirms the structure is the theme of the play narrative strategy of the plot structure.Secondly,analyzes Spoken parts skill theory,from "sound" and "language",and points out the musical characteristics ofspoke language in the stage.Re-analysis of Li Yu’s Secco skills,from the "expensive nature," heavy relations "to start the argument on the stage comedy effect.The third chapter,to explore the “gay” of performance skill theory.The analysis of Li Yu selected drama,tone of the director’s skills;actor’s "learning sound","song and dance" and other performance skills,;the stage lighting,time and other processing techniques。Trying to script,actor,stage art design three dimensions,pointed out that the purpose of Li Yu lyrics: that script to play the best stage play effect.The fourth chapter explores the opera skill theory "the refined play of the audience".According to different levels of audience,the analysis their accept skills,and the content of the drama;secondly,analysis that drama to bring the entertainment skills for the audience,include the interspersedness of the incarnation,the use of the song lyrics.From the "generation of heart" and "Scene of love" two aspects to analysis the drama’s still skills.The fifth chapter reviews the status and influence of Li Yu ’s drama stage performance skill theory.Revealing its influence in the history of drama.The final conclusion part,summed up the central content of the whole content,emphasizing the historical significance of Li Yu’s drama stage performance skill theory. |
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