The Aesthetic Significance Of Female Images In The Early Period Of Zhang Yimou's Film

As a representative of the fifth generation directors in Chinese,Zhang Yimou's film has chengtuo spirit,good at discovering new visual modeling elements,in space,the role of construction and expression of human nature and other aspects of the formation of a unique style.Among them,the image of women writing show great artistic charm and aesthetic value,and the female image in the early his directing career,mid and late has characteristics and value.This paper mainly from the perspective of feminism,the feminist theory,Foucault's theory of culture and aesthetic theory of female image of Zhang Yimou's early film analysis,and expounds the aesthetic significance of the female images in his earlier works.In Zhang Yimou's early works,the female is too much to be bullied the oppressed image in the works,their fate and life ends in tragedy.Even so,it is not to face the fate of women in this type of work,but reflected a strong sense of self and firm belief in the pursuit of a better life.The first part of this paper.This kind of female image is divided into "suppressed rebel" and "weak rigid character" two types,combined with their work to analyze the character of these female images.The image of women that these images are as male accomplice was constructed,is in Male gaze completed women for remodeling their own values.These reflect the image of women in the feudal era China's status and fate,as well as the Zhang Yimou film through these female images in the patriarchal society revolt.In the second part,from the "peep body" and "disciplinary body",patriarchal oppression how to resist such as analysis of the visual image of the female image in the movie.Zhang Yimou expression style body symbol system of Zhang Yimou's film is bright,color,light,motion,scene,composition,accurate use of angle film elements,expressed with documentary style performances and living environment of female body image,is discussed Zhang Yimou film about women's survival environment building.The third part mainly discusses the tragic writing of the female image of Zhang Yimou's early films.The film in the early Zhang Yimou space are mostly away from the cultural center of the edge,through the lag strategy and space time strategy to meet the edge of a stagnant,solidification.Backward,ignorant or even savage Chinese traditional cultural context;the marginalized women placed in them,the conflict between women' s repressed desires and order,constitute the cause of women' s tragedy of women against the kernel,in the face of depression appears.The fourth part is to Zhang Yi For the early thinking of the feminine images in the movies.The significance of this part is mainly from the "weak proof","Horizon of expectations to cater to the audience" point of view,the paper finally discusses the aesthetic value of Zhang Yimou' s early feminine images in the movies contains.