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On The Art Of Liang Kai's Zen Painting In The Song Dynasty

Posted on:2018-06-18Degree:MasterType:Thesis
Country:ChinaCandidate:Y W YanFull Text:PDF
GTID:2335330515969794Subject:Research on freehand characters in Chinese painting
Abstract/Summary:PDF Full Text Request
Zen is a major feature of Chinese Zen.Is Zen Zen with pen and ink to express Zen Road painting,is the Southern Song Dynasty since the emergence of a more special type of painting.Can be understood as the expression of Zen or Zen thought of painting,more precisely,Zen painting should include two aspects:First,direct expression of Zen or Zen thought of the painting,such as Liang Kai's "six ancestral bamboo map" and the animal husbandry "White Guanyin map" and so on,this is the authentic Zen painting;the second is the indirect performance of Zen thought,or inspired by the Zen thought,with a strong Zen painting,called Zen painting,such as Wang Wei's " ",The huge" Qiushan asked map ",Shi Tao's landscape and so on.Zen painting in China has a long historical origins,since the Tang Dynasty Wang Wei from the true sense of the first to start Zen painting precedent,the impact of a number of like Wu Daozi,Li Gonglin,Guan Xiu such Zen everyone.To the Song Dynasty,Liang Kai is through his Zen concept with ink to Confucianism,Buddhism,Taoism and integration of the local Zen development to the peak stage.During the Southern Song Dynasty,Liang Kai was a very innovative spirit in the history of painting.Liang Kai absorbed the nutrition of the previous generation painting,merged the Zen thought and the scholar figure,broke the shackles of the traditional painting forces with his courageous courage A painting of ink painting freehand way,making the figure in the shape of the more simple and simple,pay more attention to the artist's own emotional expression,pay more attention to the expression of ink,making our Zen paintings and figures show a new life.Liang's artistic achievement in painting is not done overnight,and his artifacts are preserved in the art.The realm of art in the tradition is rooted in the tradition,and is based on the traditional long-term in-depth study,And by the then literati painting,Zen thought,calligraphy painting language,coupled with their love of painting and exploration of practice,and ultimately laid its outstanding position in the history of painting.Liang Kai,although the painter of the painting,but its wild character makes him despise the power of dignity,not for the rituals,not the paints of the painter,with their own exploration of the results of the painting to the future set a milestone,and Profoundly influenced the development of later painting.The purpose of this paper is to explore the rise of Zen painting in the Song Dynasty,the exploration of the road of Zen painting,the study and inheritance of the predecessors,the characteristics of Liang Kai's Zen and its influence on later generations in the four chapters Interpretation,and thus to the current diversified painting environment to bring some inspiration.
Keywords/Search Tags:Liang Kai, Zen painting, Minus strokes
PDF Full Text Request
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