Oil Painting Studies In The Context Of Strokes

Strokes of the painting means and forms of artistic expression, is a technology to the arts by a logical process. In Chinese painting, calligraphy as an important link and the phenomenon is respected, from a practical and theoretical point of view there are a lot of experience and knowledge. As tools of psychological and cultural differences, painting into China over a hundred years of research on this so far is also unusual, but the Chinese contemporary oil painting has become a very diverse art structure, in order to facilitate the start, the background paper on canvas National Category of context, to discuss the relationship between calligraphy and oil painting.The first part is an introduction, the reason for this topic, research status, writing ideas, methods, and so do the explanation. In the second part of the nationalization of the oil painting done a brief review of the background, which leads to the form and spirit of nationalization nationalization of the two issues, so that from the technique of the two levels are discussed. Oil Painting and calligraphy and then highlighted the linkage between the nature of, and gradually expand the discussion. Oil Painting and calligraphy and then highlighted the linkage between the nature of, and gradually expand the discussion. In the third part of the formal language from the perspective of painting strokes in oil painting of the role. In the third part of the formal language from the perspective of painting technique of writing's role in oil painting, which involves three issues, starting with the Western oil painting brush method (strokes) of the point of view on the evolution of calligraphy and paintings of historical contact; second To the technique of writing in Chinese cultural context and to sort out the relationship between oil painting and discrimination, bringing into the core area of the paper; The third point is to explore the form of painting style and technique of the association, and the paintings focus on the relationship between language and calligraphy analysis; fourth point is the form of a sense of perspective from the brush through which social and cultural psychology to analyze the personal, from painting school and Case analysis of the artist in two ways, the paper gradually specific, and for the next part of the case study pave the way painters. In the fourth part of the selection process of the two important Oil Painting Artist: Xu and Wu Guanzhong, realistic oil paintings and abstract paintings as their respective representatives, phased, detailed analysis of works cited. Involving macro-historical, social, school and individual specific factors. The fifth part is the conclusion. By the previous discussion, the paper obtained the basic ideas and conclusions.