On Liang Kai "ink Immortal Map" Of "image Modeling" And Social Causes And Sources Of The Current Thinking On Chinese Ink Painting

Overview of the development process of Chinese figure painting, since thousandsof years to build and form portraiture imagery aesthetic art form based on Chinesetraditional aesthetics and styling of the concept."Image" is the Chinese art of uniqueaesthetic sense, Chinese figure painting with its unique performance and aesthetic historyof art in the world, occupy a certain position. Portraits development to the Song Dynasty,there has been a lot of transition and development, Liang Kai eclectic artistic expression,unprecedented in the history of Chinese art. Art of the Song Dynasty Chinese art isflourishing, a period of contending, in landscape, flowers and birds, portraits, paintings,and other aspects of Taoism great development and reached a very high standard. Theemergence of portraits south宋梁楷turning point in the history of Chinese art, the ink canbe extremely creative personality portraits, with a strong performance, and can achieve aunique " image" artistic effect, Liang Kai is a typical representative; it is a milestone inthe development of Chinese figure painting freehand.In expressing fairy "ink fairy map" Liang Kai exaggerated figures, just the right ethosdead drunk and character, exaggerated and distorted facial features, characters funny cuteto unadorned style, Ben Yi ink, the performance just right, very place. Imaginativecharacter modeling, to convey the spirit naive fairy temperament and character, fullydemonstrated Chinese painting " painting in poetry "," not like the like "," bone pen ","ink-on"," Chen cloth set potential " traditional Chinese painting spirit. Liang Kai style isalso one of the most convincing works schemata form "ink fairy figure." Through his "inkfairy map" figure painting, digging out the essence of Chinese figure painting. Full use ofthe aesthetic consciousness of Chinese painting imagery in the Song Dynasty thischanging social environment, under the prosperity profound cultural background, inChina ’s far-reaching cultural nourishment, Liang Kai produced during this period must bea great artist. The essence of Chinese figure painting are bound in "ink fairy map" vividlyreflected, and this is a great and powerful nation reproduction of deep history and culture,philosophy, aesthetics thought. In this paper, the traditional portraits of the "image" of the quest for the main line, plaincoarse talk about on the " image" shape or the significance and role in the development ofChinese art in Chinese figure painting. Combined with "ink fairy map" of expression,briefly explained the importance of "image " shape in the performance of Chinese figurepainting.Carry forward the traditional Chinese painting "image " shape the spirit and consolidatethe status of Chinese painting and artistic value in the history of world art. We are boundto ask bottom trace,"Image" in the context of modeling concept through developmentamong Chinese painting."Image" This concept, in China more than a thousand years ofhistory."Image" of the use and importance in the ancient Chinese figure paintingperformance in the theoretical writings have explained, are in different positions,different angles, different aesthetics, different emotions, talking about Chinese figurepainting." Image " sex. Thousands of years of development derived, its meaning isgreatly epitaxy, which indicates the strong vitality of the strong. Now, it is time weseriously study how inheritance, development, and give Chinese painting gives newmeaning to the time.