A Study On The Aesthetic And Cultural Trends Of Tibetan Theme Films Since The New Century

As a unique comprehensive art category,film undertakes not only a silent dialogue between film and audience,but also the cultural exchanges between countries,nations and nations.Regardless of any kind of national art,once it is rooted in a certain soil,its artistic form must represent the rich cultural flavor of the nation.After entering the new century,China's market economic system after the success of the transformation,promoted the rapid development of all walks of life in China,Chinese film career in adapting to the market economic system reform in restoring creativity.After a period of more than 10 years of running in,ethnic minority films from the initial throes of easing,adjusting the pace,into the global,market-oriented context of the reality.The vitality of the film creation of ethnic minorities has added a new color to the Chinese film industry in the new century.As the main force of the ethnic minority film,the Tibetan theme film has stood at the top of the world with a new attitude in the new century,and has achieved great success.Not only in the creation type has the brand-new breakthrough,presents the type multiplex development,moreover goes out the country,jumps the world the big stage,gains the prize frequently in the world.Van Mar Caidan,as the representative of the Tibetan song too with the director,they appear brokeThe only Han Tibetan film director to shoot "monopoly" situation,for Tibetan film creation has injected fresh blood,opened a new era of writing Tibetan film ideas.The vigorous development of the Tibetan films in the new century,both in quantity and quality,has surpassed the brilliance of the last century.In this paper,the new century Tibetan movies as the research object,in the realistic context of globalization in the era background,research into the development of Tibetan films since the new century and the cultural connotation,aesthetic connotation with the changes of the times,to explore the difficulties and challenges in the diversified cultural thought under the influence of Tibetan themes film faces.To protect and inherit the fine culture of the nation is the historical mission and responsibility of every movie fanatic.This paper is divided into six parts and four chapters.The introduction part introduces the topic and research significance of the thesis,summarizes the literature about the study of the Tibetan subject,and defines the relevant concepts.The first chapter takes the development of Minority Films in New China as the background,focuses on the development process of Tibetan films,and gives a brief overview of representative films.The second chapter and the third chapter make a carding analysis of the Tibetan films and cultural development and changes in the 15 years after entering the new century in the realistic global context.The fourth chapter analyzes the works of Tibetan films in the new century from different cultural perspectives,and analyzes the differences between Chinese and foreign director works from the cultural and aesthetic perspectives.The conclusion points out the survival crisis and challenge of the Tibetan film in the new century.