Theory Of Contemporary Figure Painting Of The "Free" And The Meaning Behind It

Since the introduction of Western thought to China,all kinds of thoughts and schools are really confusing,the whole art circle is chaotic and disorderly,facing great uncertainty.Chinese painter own conservative choose to avoid the "great scourges",hiding in the corner quietly on the ancients left to the painting program,the continuation of the aesthetic charm of the ancients,painted but no life at all;there are radical artists that throw aside ink,painting,advocate the use of "ink" instead of "freehand",followed by the various concepts and forms of intervention,Chinese paintings have also been transformed into a pure concept ink,completely lost its original appearance and spirit connotation;of course,there are also a number of artists chose the eclecticism,neither satisfied the continuation of things,nor should abandon the essence of the spirit of ink completely free,but immersed in between the East and the west,based on the background of the current social,environment and social contact times actual situation improved China painting Through the necessary form,in the framework of the whole thinking to solve the problem of ink,so that the Chinese painting ink more commitment.Indeed,the existence means that there are problems,but also means that existence is reasonable,we can not say which is a perfect solution,only relatively perfect.In this paper,we will discuss the importance of "freehand brushwork" mainly based on the Chinese figure painting,which implies the core and sensitive topic of "ink".