Font Size: a A A

"The Anxiety Of Influence" And "The Creative Treason"

Posted on:2018-07-24Degree:MasterType:Thesis
Country:ChinaCandidate:P P WangFull Text:PDF
GTID:2335330518475108Subject:Radio and Television Arts
Abstract/Summary:PDF Full Text Request
The Nobel Prize-leveled literary works "Red Sorghum Fawmily”and internationally renowned film "Red Sorghum" have separately reached legendarily classical height in their field.In 2014,an adapted teleplay based on literary classics"Red Sorghum" showed up with a high profile as "The Latecomers".The literary classics televised adaptation is not only the procedure of narrative combined with audio-visual language reconstruction,but also lies concealed with the creator's defense against influence and fight with anxiety.The thirst for making difference has already become the persistent spirit metaphor for powerful creators.The Literary giant,Harold Bloom,who is regarded as Yale the gang of four,published his works"The Anxiety of Influence:a theory of poetry" in 1973,in which he creatively came up with the Theory of poetic influence which is against traditional ideas.There are other hills where stones are good for working jade.Anxiety of Influence enriches and widens the research paths for literary classics televised adaptation,and endows the creators of creative treason in adaptation with psychological basis.The essay takes teleplay "Red Sorghum" as an example,transplants Harold Bloom's "The Anxiety of Influence" as theoretical basis,uses text analysis and psychoanalysis,and discusses deeply these adaptation dramas influenced by classic works---creative treason of anxiety text and psychological basis of "creative treason" phenomenon.The first chapter mainly elaborate profound connotation of the theory "The Anxiety of Influence",and through analyzing the background of the late text teleplay"Red Sorghum" emergence,combined with relevant points of view of psychoanalysis,the essay aims to find out the psychological factors of literary classics televised adaptation "creative treason" phenomenon.The second chapter tries to understand the anxiety-overcoming "Clinamen revision ratios",and emphatically interprets teleplay"Red Sorghum" powerful adaptor how to break through the imagination-covering"Covering Cherub",which helps finish the creatively misreading for classic works successfully.With the rhetorical method of creative Tessera in "The Anxiety of Influence",the third chapter explores and analyzes deeply why the powerful adaptor chooses characters of Tessera-valued to finish the targeted ending based on creatively misreading.Mixed with the sublimation theory of Freud Psychoanalysis,the fourth chapter looks into the powerful adaptor of teleplay "Red Sorghum" who aims at carrying out the inner purification movement,after misreading,.ending and expansionary revision ratios,and inhibits the aggressive impulses on the original texts.Through the contrast of the 2 texts,compared with the original works,it interprets the creative sublimation and the independent and new achievement by gorgeous widening of teleplay "Red Sorghum".
Keywords/Search Tags:The Anxiety Of Influence, Adaptation Dramas, Red Sorghum, Misreading, Ending, Sublimation
PDF Full Text Request
Related items