On The Intertextuality Of Congwen Shen's Works

This article consists of the introduction, the main body of the four chapters and conclusions.The introduction of the research on the intertextuality of Congwen Shen's essay and the introduction of the problem.The first chapter discusses the theory of intertextuality. Intertextuality at the beginning of the birth of the ambiguity, leading to its future expansion and extension of the connotation. In general, intertextuality theory mainly includes ideology and poetic form in two directions. Christie's broad intertextuality, the main body of divisors, and the"death of the author" and "written text" of Roland Barthes belong to the ideology path,feminism, postcolonialism, and the pursuit of subject identity by intertextuality Tendon ideology path; hot Knight's "cross-text" theory, study the intertextual relationship between texts, not involving society, history, belonging to the path of poetic morphology.Bloom's theory of misunderstanding of poetics explores the misunderstanding of the predecessors' poets, mainly between authors.The second chapter explores the intertextuality of Congwen Shen's writing from three aspects: the subtitle of song creation, the intertextuality of songs and the text, and the dialogue in the text. The text of the text is not only pointing to the text, but also pointing to the text; songs on the one hand and the text of the content complement each other, on the one hand implies the development of the story; dialogue within the text of Shen Congwen's large dialogue and micro dialogue.The third chapter explores the self - text intertextuality of Congwen Shen's creation from the intertextuality of the characters' reproduction, the intertextuality of the scene reproduction, and the intertextuality between Xiangxi and the city. The intertextuality of the characters is intended to deconstruct or construct a proposition; the intertextuality of the recital is mainly a discussion of the existence and destruction of life; the intertextuality of Xiangxi and the city presents a different form of life. Made classic,remodeling national character.The fourth chapter discusses the intertextuality of Congwen Shen's writing from the aspects of Congwen Shen's creation and the intertextuality of Xiangxi culture, the intertextuality with the mainstream culture, and the intertextuality with the literary classics. The intertextuality of Congwen Shen's creation and Xiangxi culture mainly points to the legendary and romantic style of Congwen Shen's creation. The intertextuality of the mainstream literature points to the unique record of Congwen Shen's life. The intertextuality of the literary classics points to Congwen Shen's classical literary ideal.Summary of the basic point of view.