Talk And Nizan' Landscapes Works "Rongxi Studio"

Nizan painting pioneered the Yuan Dynasty landscape painting artistic achievements and research value of fresh air,high.Based on the research of Chinese Ni Zan "the Rongxi studio",further explains the Chinese traditional painting aesthetic principles-"false and true" in the painting of artistic expression.Through theoretical and practical exploration,reflect the painter Nizan Xujing broad-minded spiritual realm,while highlighting the painter extraordinary personality charm.The aim of this paper is: First,Ni Zan style of painting on paper to explore the direction of the new angle,in order to facilitate the painting of Nizan researchers to understand and grasp the connotation of the works,the more effective clinical learning works.Second,it is to provide good ideas for modern painting,the better Chinese aesthetics will be introduced into the painting,inheriting and innovation,to create a useful idea with Chinese cultural connotation of the works for the public to enjoy.Third,through the study of this topic,to understand the Yuan Dynasty painting and social and cultural background of reference value.The research methods of this paper are as follows:First,detailed reading in the reference room to borrow the "Rong Zhai knee map",to analyze and study the elements of the painting works.Two,literature method.I have read a lot about the Yuan Dynasty landscape painting works and the accumulation of material,especially for special attention in the research of Ni Zan style.At the same time,I have read a lot of the painting theory and related papers on the analysis of the reality and aesthetic principles.The analysis and research of this article mainly from the traditional aesthetic principles and Chinese aspects of Nizan landscape works "Rongxi studio".The full text is divided into four parts: the first part,from the social and historical background and the significance of the study of the "Rong Zhai Zhai" overview.The second part is from the Chinese painting of the human spirit and painting elements of traditional Chinese painting of the concept of virtual reality,the study of the "virtual reality" painting theory and its origin.The third part,according to the Ni Zan landscape works "volume and knee room picture" painting elements in specific inquiry.The fourth part: mainly discusses the practical significance and influence of the actual situation in the works.Through the study of this topic,a clear understanding of "Rongxi studio" works of creative background and Ni Zan style.In the actual situation of aesthetic works for analysis and research,also provides a theoretical basis and practical guidance for modern painting learners.