A Study Of Wang Xiaobo's Works In Contemporary China

As an influential writer in contemporary China, Wang Xiaobo has been paid more attention in the context of consumer culture including of modern media, publishers,humanities scholars, critics, literary youth and mass readers. From the death of Wang Xiaobo,he was changed from the edge of the discourse circle to the center position. This thesis takes the reader's reception history as the starting point to study Wang Xiaobo's literary acceptance from the beginning to the Literary Field. According to Wang Xiaobo's death as the time node,through study of the historical facts in the details on the level, and in the popular acceptance and elite accept two dimensions of Wang Xiaobo's works in the contemporary Chinese reception, external literature research department.This paper is divided into three parts: introduction, text and conclusion. The main body is from chapter one to chapter fourth. The full text divides into following several parts to carry on the elaboration:Introduction: this part discusses the significance and value of the selected topic, the present research situation of Wang Xiaobo in the research of contemporary reception and the train of thought and method of the research.The first chapter examines Wang Xiaobo's reception of literature in the 1990s cultural space. Wang Xiaobo died in 1997 as the time node, traced back to Wang Xiaobo's literary creation, placed in the 90s China cultural context analysis, diachronic review of Wang Xiaobo in his literary reception. The deliberate misreading of Wang Xiaobo is because scholars, youth, media and other groups have their own interests. In the face of misunderstanding, you need to restore the historical scene, through the "foreign literary master" and other concepts, on Wang Xiaobo's publication of investigation, on Wang Xiaobo and the media relations investigation, Wang Xiaobo in Taiwan and Hong Kong literature field for investigation, the reduction of Wang Xiaobo's real literary reception history. In the mainstream culture, mass culture and elite culture to explore the identity of Wang Xiaobo,Wang Xiaobo is an individualist.The second chapter: from the perspective of popular acceptance of Wang Xiaobo's literary reception in the context of consumer culture. Wang Xiaobo was accepted by the public in the real sense,from "the death of Wang Xiaobo". After Wang Xiaobo's death,Wang Xiaobo accepted in the course of Redubujian in public, newspaper reports and commemorative activities, publishing market, such as "never",adapted works of literature lovers and young students to Wang Xiaobo for the teacher, a king in the context of consumer culture. Wang Xiaobo on the road to the popular classic, an extremely powerful platform for the dissemination of media is Wang Xiaobo, Wang Xiaobo is also the image of the main building, commercial property is the basic attribute of mass media, and when the media authority into the literature itself, Wang Xiaobo's literary significance has been rewritten. In the context of consumer culture, Wang Xiaobo back to the public, back to business, but the ambiguity of his works popular across boundaries, is one of the leading causes of public misunderstanding of readers. In the endless Carnival and elected in the works of Wang Xiaobo, become the contemporary group selection of classics, but at the same time, Wang Xiaobo's works has been decreased to a certain extent.The third chapter examines the acceptance of Wang Xiaobo in the elite readers from the perspective of elite acceptance. What is the interpretation and evaluation of the course of Wang Xiaobo at the school of criticism, the criticism of what changes occur in the course of the study, the answer to these questions it is necessary to explain the process of dynamic macroscopic study of Wang Xiaobo. Selected representative of the contemporary history of literature and Literary Anthology samples and study Wang Xiaobo's literary position in the time spectrum,changes to explore Wang Xiaobo's literary status.The fourth chapter: the formation of Contemporary Classics is the result of the two-way interaction between popular acceptance and elite acceptance. Wang Xiaobo's contemporary literary reception is the result of the interaction of various participation mechanisms and power discourse. On the basis of the first two chapters, this part analyzes Wang Xiaobo's reception in contemporary China from the perspective of classical construction.Conclusion: summarize the full text and draw the conclusion.