| Rachmaninoff,one of Russia's greatest conductors,pianists and composers,lived in an era of major changes in composition techniques,but he still insisted on the creation of traditional music and on the basis of tradition To break through and innovation,in which the late music creation gradually joined many modern elements,the romantic style and modern style integration.Rachmaninoff's music is very rich,in which piano works occupy a more important position.Through the analysis and research of its twenty-four piano preludes,this thesis attempts to explore the harmony technique of Rachmaninoff,and the various vocals in each prelude and the composer's prelude The organization of the pitch organization in the creation is summarized and summarized.From the structural point of view,this paper is divided into five chapters:the first chapter introduces the life and creation of Rachmaninoff;the second chapter to the fourth chapter will be from the pitch material,harmony material and the relationship between the tone l statements and layout of the twenty-four works in the specific harmony and pitch organization to sort out and explore;Chapter V of the 24 works of harmony system to make a summary,from the technical aspects of the creation of the technical level Analysis of research rose to the creative concept of exploration.In general,the creation of twenty-four piano preludes is in the middle of the creation of Rachmaninoff,although the traditional large and small tone system is the core of its harmony techniques,but there are plenty of With the artist's personalized features of the color harmony and harmony processing methods,such as the midrange tone of the alternative approach.In the later works of the prelude,Rachmaninoff gradually increased the limited modern harmony techniques,such as non-third-order chords and independent two or three degrees of harmony and so on,and with the traditional approach Combined with the formation of a pull with the characteristics of the harmony style. |
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