The Studies Of Huaibang's Reformation And Development

This paper takes the folk opera music "huaibang" as the research object,that spread within Qinyang city of Henan province and the surrounding- areas. Starting from the history of music and folk music perspective. Record and trace back the history of formation and development of huaibang by analyzing the current situation of Qinyang area of the interpretation .This paper consists of three chapters, the first chapter based on the geography,historical and cultural environment in Qinyang. Put the huaibang in the specific historical background to observe and study and trace the history of formation and development.The second chapter takes the changes of performance places as a clue,divide huaibang' history into three periods by the special background of history ,society and humanity. The singing and art promotion as the main line, and through the cultural anthropology "communication" point of reference, take unique cultural characteristics of huaibang in "Huai culture circle" of Huaiqing area as the research category, a detailed summary of the various historical periods of huaibang dramas bring artistic achievements.The third chapter discusses the development of huaibang in different history environments by the explaining of the music form of contemporary huaibang. Analyzing the reasons why huaibang cannot become a kind of Large Opera in the process of spreading, and put forward the effective solution.This paper summarizes the development of huaibang from the macro. On the basis of static historical documents and field investigation, this paper makes a dynamic investigation of folk artists. Show huai bang's survival conditions in different historical and historical context. Highlighting the historical value of huaibang precious music.