Philosophizing And Imago

In recent years,as China's mainstream media,China Central Television's documentary creation has shown a vigorous development momentum.Just a decade(2006-2016),the emergence of a large number of distinctive documentary,a wide range of topics,art forms and diverse.In the study of this decade documentary,it can be found that these thematic documentaries,whose discourse patterns are similar,are artistic creations that are carried out under the framework of national discourse.This national discourse framework embodies the thought of Confucianism and Taoism in Chinese traditional political culture,and has a strong background of traditional Chinese philosophy.In this discourse framework,the form of CCTV documentary also presents a unique national image.Based on the research ideas of narratology,this paper analyzes the characteristics of CCTV documentary from the theme selection and the narration analysis of film and television in the range of more than 700 documentaries created by CCTV from 2006 to 2016.Out of the deep connotation behind the creation.This paper is divided into four parts.The first part is the introduction part,which mainly introduces the research origin of this research and the related research,the research ideas and methods used,and the related research data.The second part is from the longitudinal historical development and the horizontal creation contrast to the CCTV documentary The fourth part from the perspective of the expression of discourse to explore,to explore the CCTV documentary in the traditional philosophy of ideas under the influence of how to express the expression of cultural imagery.The third part from the perspective of the theme of the study of CCTV documentary and the relationship between traditional Chinese philosophy;The fourth part of the discourse from the perspective of the cut,to explore the CCTV documentary in the traditional philosophy of ideas under the influence of how to express the cultural image.