Theory Of Agatha Christie Film Adaptation Of The Novel Narrative Research

For fiction and film or television,although the time difference,in terms of both has a strong link.Both has the story as the foundation,the pursuit of the plot at the same time.For a long time,many excellent films are also after the writers of fiction in the processing.So,for the novel text and video text,prompting the basis of common are mutual communication between two kinds of art,and the integration between the two for the long-term development of the two text provides the help.Agatha Christie has extraordinary life,appeared a large number of detective novels and become classics in the world scope,making it in order to truly "whodunit queen",won the praise of the world.At the same time,the work of Agatha Christie's film and television has never stopped the process.The novel has been adapted from the great number of them,broad impact,Agatha Christie novel text is bringing great fusion with the film and television.This article selects the Agatha Christie's three representative works are "fatalism","murder on the Orient express","Roger mystery" interpretation and analysis.Of Agatha Christie's detective novels in the film adaptation of the interpretation,this paper argues that it is novel and the factors between the film and television,and in the story and characters are overlapping,and therefore have the possibility and feasibility to the film adaptation of the novel.But if there is common place between fiction and film and television,in the same way,the two art also exist in different places.Adapted for film and television play,in general,the novel in the narrative,characters,themes,and different parts of the original plot setting aspect.This article from the perspective of modern narrative,from the plot,narrative perspective,narrative time and space,the character set four parts,explore the Agatha Christie novel narrative of the changes in the film and television works,the novel text again,film and television works to the adaptation,how on the narrative and the original reference.