Mozart's A Major Clarinet Concerto,A Comparative Study Of Performance Style

his paper will collect seventeen player,playing of Mozart's A major clarinet concerto "as the research object,with Mr Yu Run foreign music in the western music history in A new draft of this theory,music performance,music aesthetics the social practice as the theoretical basis,for even the staccato,timbre,dynamics,such as playing techniques are detailed analyzed.Paper third chapter from sabine meyer,Paul meyer,Richard stowe's playing example carried on the thorough analysis,each has its own characteristics in terms of interpretation,style each different.Mainly three performers of the different social environment,history and culture,cultural characteristics,which affect the three performers different second creation.In addition from three performers after long-term performance experience of precipitation,formed the unique style of play.Handling of sentences carefully handle huacai paragraphs,distinctive interpretation to form various playing playing features samples.The three players in different countries,for example,with the ontology of music,music performing arts,music is based on social practice,to the use of specific Pu Li analysis of different skill,it is concluded that the reason of different performing forms play style.By studying the clarinet concerto in A major,in the decomposition and synthesis analysis way to illustrate this paper content,including the composer history environment,cultural characteristics,life situation,recording albums,etc.,the information collected from the concrete analysis of different performers to works with A different style of performance,from the two aspects of music and performing style,to play the technology as the main object of analysis,from the music aesthetics,music history and music performance is analyzed,the work of in-depth mining and understanding,and more accurate and more beauty to play music in the west.