Discussion On Related Problems Of <The Tablet Inscription Of Rebuilding The Dagoba In Huiming Temple> By Fushan

The calligraphy of Fu Shan who is the representative of the Ming and Qing Dynasties plays an important role in the history of calligraphy.Fu Shan's competitive calligraphy products mostly starts from his later.<The Tablet Inscription of Rebuild the Dadoba in Huiming Temple>(here after called The Tablet Inscription)was composed when Fu Shan was 76 years old,and it is the representative work on the field of running hand in his old age.The whole work had inherited the charm of Wangxizhi,and also in his own style.Unfortunately,because the original stele has lost,the book of rubbings had never been published.So that it was not for academic use.This article is based on the rubbings in the Qing Dynasty to discuss on tablets and relate issues.The carrier of the tablet called Dagoba in the Huiming Temple is discussed in the first part of the text.Besides,by comparing the various versions of the tablets,we find that the whole tablet had been documented in the inscription <Shuang Hongkan Anthology >of Zhang Yaoxian found in twelve years of Qianlong Qing Danysty(1747).And it's the first tablet of recorded monuments.Then included in the inscription <Shuang Hongkan Anthology >of Liu Xueya and <Shuang Hongkan Anthology > of Ding Baoquan.There is large discrepancy among them with a wider spread block-printed books of Ding.The reasons are discussed in this article.In the second part of article,there are the inscription calligraphy style analysis and the changes of Fu Shan's calligraphy in his old age.Also that issue the sculptor and the size of the stone.The third part of the article,I discuss the religious views of Fu Shan.