The Modelling Characteristics Of Modern Chinese Figure Painting

With the development of the era of diversification,the weakening of the closures,the innovation of culture,the mutual reference and fusion of each country's art,the different types of creative themes and the new perspective Aesthetics is like a clean stream,into the Chinese painting art,In these issues quietly changing,continuous improvement and sublimation.China 's traditional Chinese painting art is profound,painting spirit and philosophy of "harmony between man and nature" concept blend.In the drawing of the figure painting,we pay great attention to the expression of "God" and "meaning" in the objective things."Image modeling" is the traditional figure painting concept of the excavation,this does not rigidly adhere to the character of the existence of the existence of the form of expression,cleverly with personal lines drawn with lines,born in the traditional Chinese aesthetic.In the early20 th century,Xu Beihong and other artists in the process of studying in the West inspired by the Western classical realism painting into China,advocated in the traditional novelty,change,to give people a sense of the times,the essence of Western art I used,and the establishment of a complete figure painting system,Xu Beihong in the "sketch is all the basic foundation of modeling," this important theory at the same time,summed up the sketch "new seven law" to bring Chinese characters to a new perspective,and affected China Art education career for decades and many artists.Twentieth Century Artist Jiang Zhaowei can be described as a model of inheriting Xu Beihong's painting,and made great contributions to the development of ink painting.While adhering to the tradition of traditional ink and wash art,from the Western painting art to absorb nutrients,out of the new context of ink painting,art education for the Chinese contribution to a force,but also for the figure to provide an opportunity for development.By the "Xu Jiang thought" and the influence of the times,in recent years,the Chinese painting works have embodied the new pattern of inheritance and development,tradition and innovation.Artists are no longer confined to the form of writing and writing for the main body,but in the inheritance of the essence of traditional painting at the same time,constantly improve to the natural division,to life as the fundamental,subjective and objective perfect combination,showing a variety of Chinese characters The Way to express.From the subject matter to the composition,and then from the ink to the shape,the picture form and the connotation of harmony and without losing the dull,both ink taste and the era of breath in the bag,this "new" outlook and "old" Contemporary Art Forms and Development.