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The Study On The Traditional Graphics Of Guangxi Zhuang Jin

Posted on:2018-03-17Degree:MasterType:Thesis
Country:ChinaCandidate:Y Y ZhaoFull Text:PDF
GTID:2335330536473433Subject:Design
Abstract/Summary:PDF Full Text Request
Zhuang jin,is short for Guangxi Zhuang ethnic brocade,is the colorful velvet line,cotton as raw materials through menstruation broken weft knitted into handicrafts,has a history of more than one thousand years.Important position in the Guangxi Zhuang people's daily life,and it is the Zhuang women's main source of economy main way of making a living,is also one of Zhuang woman marrying necessary dowry.Its origin is from Jingxi,Xincheng,Binyang county of Guangxi.In the Qing Dynasty,Zhuang jin has been used as a tribute jin to the palace in Xincheng county,it is not only the cultural treasure of the Chinese nation,but also the pride of guangxi people.Zhuang jin in 2006 was included in the national first batch of intangible cultural heritage list,with Suzhou <sung> brocade,the preface of Sichuan,nanjing brocade,known as China's four famous brands.Jin,the only minority in tapestry,embodies the Zhuang people's rich cultural connotation totem worship,and original flavor,being one of the Zhuang culture representatives.However,in the social development and the constantly move forward and rapid development of social economy of the background,machine manufacturing industry for continuous impact of national industry,the diversity of regions of ethnic minority traditional culture constantly receded,custom differences between the races of the narrowing,severe homogeneity,flooding in the process.Zhuang jin has gradually fade out people's daily life,the traditional handicraft Zhuang jin also slowly disappeared.How to inherit and develop the traditional of the Zhuang brocade becomes the current urgent need to solve the problem.Zhuang,old called "boy",is the minority with the largest population of China's ethnic minorities.In the Qin and Han dynasties of history books are written in Lingnan area “ou” west,"the more Locke" and so on,which are the most direct ancestors of the Zhuang.Zhuang clan name comes from the part of Zhuang's claim to be "cloth Zhuang".In addition,there are claims to cloth nong,sample cloth,cloth,cloth east and so on,more than 20.The founding of the People's Republic of China "?" before writing.After 1949 "?" as "servants",in 1965,according to Zhou enlai proposal,approved by the state council will "boy" instead of "strong".Zhuang jin is Guangxi Zhuang people in the long-term practice of labor production and the woven,has the rich and colorful designs,style and more straightforward national art characteristics,strongly reflects the Zhuang people's love of life,nature and culture and reverence,saturated with optimistic spirit of national culture,embodies the people yearning for a better life,expressed the Zhuang people's sincere emotion.Paper mainly Zhuang jin traditional graphic elements as the research object,combined with literature analysis and field investigation of Jingxi Zhuang jin,Xincheng,Binyang area of existing traditional designs is analyzed,and to the basis of the analysis with the other three famous Jin for comparison,through the analysis of the characteristics of uniquely identify to Zhuang jin,accurately grasp the characteristics of Zhuang jin,a common graphic Zhuang jin in the modern decoration design innovation design and the design method of the application of cultural inheritance.Thesis mainly is divided into six parts of Guangxi Zhuang jin traditional graphic elements.The first part is introduction,mainly summarizing the selected topic reason,research contents and methods,research significance and expected results,the research status and community groups to study the situation of Zhuang jin.The second part is the summary of Guangxi Zhuang jin part,mainly includes two parts: one is overview of Zhuang,Zhuang culture origin,ecological environment and cultural characteristics;Two is an overview of Zhuang jin,including the origin and development of Zhuang jin,main characteristics,production methods and form.The third part is zhuang jin graphic element analysis,in two parts: One is artistic features,including the cultural connotation and aesthetic temperament and interest;two,graphical analysis,including the composition of form,color,composition,traditional patterns,the associated pattern.The fourth part is Zhuang jin and three kam contrast analysis,including five aspects: one is the composition form contrast,color contrast,the types of patterns,craft contrast and comparison with makings.The fifth part is Zhuang jin design elements application in the clothing design part,mainly including: the use of Zhuang jin element in modern design present situation,the focus on zhuang jin graphics application in architectural decoration and packaging design feeling;Zhuang jin graphic application in the design of modern clothing is based largely on the use of two parts.The sixth part is the conclusion that the characteristics of Zhuang jin graphics a blanket and put forward some feasible to Zhuang jin the future development of see meaning.
Keywords/Search Tags:zhuang jin, Traditional graphics, Comparison and analysis, Design applications
PDF Full Text Request
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