On The Practice Field And Communication Field Of Participatory Art

As a reflection of modernity,participatory art has been hidden in the context of the development of contemporary art,and often accompanied by social movement into the history of art.The essence of participatory art is the art as a kind of cultural action,to participate in the form of intervention to the construction of the social system,in aesthetic,ethical and political dimension of the formation of intervention in different situations and problems of the formation of offbeat confrontation,with topics and events.The relationship between man and society is the core of the participatory art media and materials.Participatory art is a kind of anti-physical,-centered,immersive,immersive,live art.And this site is through the practice of the scene and the spread of the scene to the framework.In the field of practice,the subject and object of aesthetics and the scene generation are two main problems.From Duchamp's readymade concept,to Bois' s "social sculpture",through the analysis of field definition,aesthetic boundary between the subject and the object is broken,as a social concept of the finished products into the art project.The participation of the art "in the field of the scene",is to allow artists / participants in the context of modernity in the face of specific problems,in the real social space,direct action,and contact with the here and now.In the field of the practice of the earth is specific,clear,can be described,it has a clear context,boundaries,subject and object,is the first scene of participatory art,is the basis of practice.In the field of communication,the media is not only a catalyst for the practice of the scene,but also as a way to participate in the arts,as well as the artist's way of discourse,is the participation of art,discussion and display of the scene.The spread of the scene first reflects its effect on building their works: works as an anti chemical media are constantly spread in the process of fermentation and visible,events and relationship of abstract facts effected by media,become the work itself.Second,the spread of the scene carrying the function of the display site.Due to the involvement of the media in the work of art,it also makes the visualization and multi-dimensional space,and then bring about the change of the way of viewing.The derivation,transformation and development of the physical space to the virtual space also enable participatory art to expand its spatial dimension,showing a more multiple possibilities."Between the 5 ring road and 6 ring road in Beijing " is a joint investigation of urban and rural areas in Beijing.In the project,we can clearly see the presentation of the practice and the spread of the scene,as well as the relationship between the two.In the field of practice,the artist to immerse the way of participation,through the edge of the narrative mining and combing to arouse people's senses.At the same time,through the transfer of information on the network,discuss the interaction with the media,as the second site site spread let the work more full,visible and effective.The two scene echoed each other,progressive layers,is a complete display of the typical case of participatory art work logic.