The Field Consciousness Research In The Process Of Private Image Shooting Under The Theory Of Communication Field

Private image is a very strange word to most people,but in Japan,Europe and the United States and other countries,it has gradually developed and matured.In China,along with the progress of science and technology and the rapid development of cultural industry,as a new category of documentary,private images have gradually entered the public's vision,including many excellent works.Unlike traditional documentaries,private images aim at the outside world and shoot stories of others,while private images aim at themselves and analyze and record their inner world.At present,there is still a lack of relevant theoretical research in China's theoretical circles,even for the definition of private images,there is no unified explanation.It can be said that the research on private images in China is still in its infancy.By consulting a large number of documents,we can find that the current research on private images mostly focuses on the development status of private documentaries in China,as well as ethical issues in the process of shooting and dissemination.The perspective chosen in this paper is to place private images in the theory of communication field.Combining macro-field theory with micro-field theory,it analyses how to take private images and how to guide the development of private images.The main problems I studied are as follows:Firstly,in the introduction part,I introduced the background significance of the topic,and summarized the research status of private images at home and abroad.Next,it elaborates the creative process and basic construction of Nurture.Secondly,the authenticity of private images is analyzed,and how to achieve the greatest degree of objective authenticity in the process of making private images is discussed.Thirdly,based on the macro-field theory in the field of communication theory,this paper explores how to develop private images in the moral and legal field.Finally,how to shoot the private image under the micro-field theory is analyzed.This paper is divided into four chapters,the main contents are as follows:Chapter one,works and their creative process.This paper elaborates in detail the whole process from the beginning of filming to the completion of the editing of the documentary "gestation".The author elaborates why he chose this subject to shoot,and later in the editing process,applied to background music and so on-Chapter two,bystander and intervention.The first part discusses the authenticity of documentaries and whether there is absolute authenticity.The second part mainly discusses the practical problems encountered in the shooting process.Firstly,in the shooting process,the fear of the camera in the public area leads to some events can not be taken.Secondly,how to grasp the scale of shooting is also a problem.The third part combs the concept of private image according to the existing relevant information and literature.Chapter 3:Private images under macro-field theory.With the continuous development of private images,the legal and moral problems encountered by private images have become more prominent.Because of the lack of relevant laws,regulations and industry standards,folk creators and professionals are at a loss when dealing with the relevant contradictions.In this chapter,the author gives his own views on the possible problems and how to guide the development of private images.Chapter 4:Private images under the theory of micro-field.The content of this chapter is based on the theory of communication field.It mainly analyses and studies the first,second and third fields of micro-field.By comparing the content enrichment and authenticity of different scenes,it dissects the private images.