On Zhao Zunyue's Ci-poetic Criticism And Art-work

Zhao Zunyue was one of the outstanding representatives Ci-Poetic theorists and writers in Min-Guo period.This thesis attempts to make a comprehensive and objective assessment on Zhao's achievements in Ci-Poetry,which formed of three aspects:the origin of Zhao's Ci-Poetic theory,the main ideas of his Ci-Poetic theory,and his art practice of Ci-Poetry.The origin of Zhao's Ci-Poetic theory is very diverse,which has been influenced by many Ci-Poetic experts,including Kuang Zhouyi,Wang Guowei,Long Yusheng,and so on.Effected by his life experience,Zhao's Ci-Poetry art-work is also very rich,so do his art styles.Zhao's Ci-Poetic theory is the focus of this research and the directly reflect of his Ci-Poetic theory origin and art practice,which is composed of three parts,including the theory of Creation,Aesthetics,and Criticism.The theory of Creation mainly talked about theories such as the Mood in Ci-Poetry,the Interest in Ci-Poetry,and the Pen-craft in Ci-Poetry,while the theory of Aesthetics mainly talked about special categories such as the theory of Divine Interest,Charm,Mood,Zhong Zhuo Da,and so on.In the theory of Criticism,Zhao expressed his understanding of Ci-Poetic characteristics in Song dynasty,Ming dynasty and Qing dynasty.In general,Zhao's Ci-Poetic theory has potential systematic system,and his thought displayed the change from the traditional Ci-Poetic theories to modern theories.