Bach’s Religious Cantata Singing Practice Exploration

In the history of the development of Western music,because of the literary trend and social atmosphere and other historical features of the Baroque period of vocal works rich and colorful,which Bach superb artistic attainments to his works in the history of Western music left a strong Of a pen.In his great achievements in music creation,this article chooses his vocal works of religious Canta Aria as the object of study,selected from the No.21 religious Canta "I have a lot of sorrow" in the soprano aria "sigh,tears Melancholy,suffering," and No.58 Cantata " ah! God,how much pain in my heart " in the soprano aria " in the suffering I am satisfied " as an example,from the song structure,rhythm,melody,body content and other details,combined with singing for breathing,breath,Pronunciation,sound performance,emotional expression,emotional control,facial control,physical control,and coordination and coordination with instrumental accompaniment,etc.,to study the importance of Bach Kontta Aria for the training and consolidation of the beauty singing skills and from the perspective of practice To analyze the value of Bach ’s religion Cantata in the practice of singing and singing.This article is divided into four parts.The first chapter,an overview of Bach’s music creation of three important stages,a brief introduction of the baroque period large vocal music genre-cantata and Bach’s cantata religion,deepen the understanding of Bach’s cantata aria creation background,further to explore the style characteristics of Bach’s cantata aria of religion so that more when singing cantata correctly grasp the singing characteristics;The second chapter,from the No.21 religious Cantata "I have a lot of sadness" in the soprano aria "sigh,tears,melancholy,suffering" and No.58 Cantata "ah! God,how much pain in my heart " in the soprano aria " in the suffering I am satisfied " as an example,the specific structure of the song,rhythm,melody,body content and other aspects of the music creation features,from the perspective of music creation,The author analyzes two kinds of compass techniques and style features,laying the foundation for more accurate expression of lyrics content,more comprehensive understanding of song content;The third chapter,combining with the characteristics of late baroque music and singing,the breath control and dealing with the rigour of pronunciation,use and lasting appeal reflects the unity of sound,and deep and the stage of emotional investment control in the practice of vocal and instrumental music fusion of four aspects to analyze the practice singing style of Bach’s cantata aria of religion;The fourth chapter,fusion mentioned in this article,the first three chapter of Bach’s cantata aria of religion of historical and cultural background,religious belief,music creation features,bel canto singing style skills and other comprehensive analysis,thus summarizes Bach’s cantata religion in bel canto singing artistic accomplishment and aesthetic feelings and the teaching value in practice.