Another Way Of Self-gaze On Naomi Kawase's And Her Female Films

Since the first year of the Heisei,Japanese films have been groping in the dreary.In these years,a large number of outstanding female directors in the Japanese film industry emerged.Among them are Han Tian Chengzi,Hamano Hiroshi,the light really child,Kumaguchi Hiroko and Kawase straight and so on.Because of its survival status is different from the male director,making the film's focus and creative methods are very different from the male director,they based on different social identity,performance of different people living picture,discusses the different meaning of life.This paper tries to analyze the female expression in the film creation and the gender narration in the text through the picture of the female creation director.From the Japanese film as a whole concerned about the female director and female film,in order to explore the contribution of female film workers to enhance the female director in the film art position,open up a broader space for women's creation,so as to provide reference for the creation of domestic female directors.