Research On The Lacquer Ware Decoration Of Yangzhou Han Dynasty

Art is an organic integrity coupled with material life and spiritual life,a result of practice,as well as a constant process of gradual accumulation and precipitation.It is in the Warring States Period that the Chinese thought came into being and great achievements were obtained in various fields,especially the art field with full development.The most prominent place for better lacquer technique during the Warring States Period lies in Chu,in which the lacquer of Chu is well-made with abundant decorative pattern themes as well as the beautiful and colorful painting lines.In Qin Dynasty,the lacquer-making has more strict requirements on organization and management as well as the unified quality standards.Han Dynasty lacquer inherited the traditional techniques from the Warring States Period and Qin Dynasty and further developed them,creating the peak in the history of Chinese lacquer technique.Han Dynasty lacquer has become the daily life supplies in public.And it must carry the social cultural conceptions and aesthetic sense of people at that time.The majority of early western Han Dynasty lacquer is unearthed in Hu Bei and Hu Nan while the middle-late western Han Dynasty lacquer mostly appears in Yang Zhou and its nearby area.The lacquer presents a general picture of the development of Han Dynasty lacquer technique.The ornamentation of Han Dynasty lacquer is greatly influenced by the pursuit of Huang Lao,immortality as well as the cultural concept of possessing longevity by feather immortal,promoting the pervading trend of cloud ornamentation in decorative modelling art.The research object of this paper is mainly aimed at the Han Dynasty lacquer unearthed in Yang Zhou.The first step is to widely collect the related documents,drawing-documents as well as archaeological data.The preliminary research status of the Han Dynasty lacquer can be obtained via the integrated analysis of these materials.The second step is to summerize the style of lacquer in Yang Zhou by means of making comprehensive comparison with Han Dynasty lacquer in other areas.The final step lies in exploring the formation reasons of ornamentation of Yang Zhou lacquer and elucidating the evolution process of Yang Zhou regional ornamentation through taking the contents,types,designing principles and evolution phenomenon of Han Dynasty lacquer ornamentation as the spindle.